Monster-Blood Tattoo

Europa of Naimes

2011-09-20T10:31:00.004+09:30

Forsooth, the Branden Rose is a real soul, you can go see her activities get all Tumblr-ed over at Europa of Naimes, where she and other bright-souled Sundergirdians keep the energy of the Half-Continent roiling.

I go there to remind myself that the Half-Continent is not just me in a room on my own in front of a blank screen.

Thank you, Branden Rose, thank you.

Drawing with DMC

2011-09-12T12:18:00.018+09:30

A couple of posts ago Elinor Blackwood (Ashira) was asking for me to divulge the process that goes into making my coloured images, so I shall now oblige.

So, I start with the line drawing on paper (yes, a real piece of paper!) done with a sepia pencil for no other reason than I like the feel of the media and the brown looks nice. Some folk have mistakenly thought these charcoal drawings, but they are not, just coloured pencil.

Having scanned the image in at 600 dpi, in Photoshop I then make a layer on MULITIPLY setting, onto which with the PENCIL tool I draw/paint/whatever it is you do in the digital context, areas of flat colour corresponding with the lines of the original drawing.

Usually making a copy of this FLAT COLOUR layer – as I call it (turning off the original flat layer, thus preserving the original should anything go awry) I then mould the copied flat colour layer with the BURN tool, working in shadows and form as appropriate.

Finally over the line drawing and the moulded colour I make a HIGHLIGHTS or SHINE layer (sometimes both if I am really pushing things around) onto which with the BRUSH tool I work all the glimmers and glows and shines that pull the image out and finishes it off.

Not much to it really, just time and the right ordering of layers. I highly recommend some form of drawing tablet for this though, drawing fine details with what amounts to a bar of remote soap (by which I mean a mouse) is not so much fun and does not allow quite the same finish without some extra frustration and effort. (Believe me, I have tried for many years with mouse only, and when I finally got a tablet it was like a whole new world opened up… usual story.)

What I like about this combination is the immediacy of a real drawing yet the glamour and finish of fine digital colour. Oh, and I used the same process for the image of Europe you see as a background to this blog.

I hope that is what you were looking for, Elinor.

All images (c) D.M.Cornish, 2011

Notebooks & False-gods OR Ben's Questions asnwered at last!

2011-09-07T09:26:00.013+09:30

About a million years ago, Ben Bryddia asked some questions and it is high time I say - HIGH TIME! - that they were answered. I shall reproduce much of his comment enclosing said enquiries here for context.

"Do you have an index for all those notebooks? If so, how is it set up? Yeah, it's a strange question, but I'm curious what form of note organization you've found most helpful..."

Ooh how I wish I indexed my notebooks, bit they are merely a repository for collecting thoughts as they come to me. 36 notebooks in I am starting to find it difficult to find older ideas, though it can be an adventure to go hunting for some half remembered notion I KNOW I wrote back in NB 32 or was it NB 31...? It can also drive me a little nuts trawling through every page when I just want to get on with what I am currently focused on.

I am very much a scatty-headed creative type, and though there is a quite complex system of symbols to show what each note is, there is no indexing; so I have no help for you there, Ben, sorry.

[SPOILERY BIT AHEAD]
"I was rereading the conversation with the Lapinduce in Book 3. Out of curiosity, if land monsters are birthed from threwdish muck, where do all the river and sea critters come from? Is there such a thing as threwdish waters or threwdish ocean muck?I'm assuming that the false gods are to nadderers what urchins are to nickers and bogles. Is this correct? I seem to recall that Kraulschwimmen and false gods aren't on the best of terms."

Kraulschwimmen and false-gods are on very bad terms. Indeed, it is the kraulschwimmen who have been set watch over the mad false-gods - the pseudobaths - to make sure they never rise again as they did in the beforetimes in the folly of their arrogance. The false-gods were once like the urchins but sacrificed their place for the sake of seizing more power and so were thrown down and made idiot, the drool and seethe in the crushing black of the lowest oceans, whilst kraulschwimmen keep watch and wrestle with them when e'er an everyman seeks to call a false-gad back.

With the oceans, the deeper down you go the more threwdish they become, and the water deeps are fairly throbbing with threwd, and as you surmise, their muds are fertile places indeed for spawning new monstrous life. River nickers and other fluvial critters are either sprung from the sludge of waterways bubbling up in strongly threwdish lands, or from the slimy beds of shorelines that runs past threwdish places. Of course this is not the only way monsters come to be...

I hope that suffices.

(This post needs a title...)

2011-07-14T09:49:00.013+09:30

Hello hello, hello! Still here, still kicking about, avoiding the blank page and all that.

A favourite truism of mine (heard as a sample on Ride's "Going Blank Again") goes, "even a stuffed clock tells the right time twice a day." So in that spirit I am blogging again after an extended hiatus.

First, I have an interview for your perusal over at fellow author, Greg Mitchell's page.
A caution for those of a less religious bent that one of the answers gets pretty religious, so bare with me.

Well, I have some questions to answer, I will have a crack at one:

The glorious Justine H. asks: "... How exactly did you come up with the idea for leers? Are leers able to fall in love?And where on the Half-Continent did you come up with such an epicly amazing character as Sebastipole (and his amazingly epic name?!)?!?!"

Well, I think it came first with seeing something that made me think it would be "cool" to put a large box right on someone's face but then have it that instead of impeding their senses it heightened them.

Leers are just people who have soaked their eyes in chemicals to see things not normally possible and are trained in the use of a sthenicon and olphactologue, so as to falling in love, I suppose that is as variable for them as it is for any other soul. I can add, however, that being in relationship with a falseman might be awkward at best or downright frustrating/terrifying as they could always tell if you were speaking the truth or not, so fob-off answers like "Nothing," to the question "What's the matter?" would not work so well.

Sebastipole is actually a misspelling of the Ukrainian city of Sevastopol, made known to me through reading on the Crimean War. I have since figured however that as far as the Half-Continent goes, his name actually comes from the fact that his mother is Baste from Sebastian and his father a Pollard from Pollux (a bit odd to name your child thus, but Sebastipole's upbringing was a cold thing and it is the Half-Continent after all...)

Both Ken and Amanda were asking after the availability of my books in the necessary e-formats, and whether I am all down with it.

Firstly, I believe each publisher in each region (North America, UK, Australia/NZ, each of the European nations etc...) is figuring out how best to provide those formats and what the royalty rates ought to be. So it is happening, but the publishing industry is in a massive bit of flux at the moment as it transforms into the digital.

Am I down with it? Bring it on I say! I am, however, getting rather ticked with "torrent-ing" and otherwise illegal digital thieving of such formats. Sure, I could look at it as free advertising, but consider that if I can't make a living from these tales then I am not going to be able to write any more of them. Grrrr....

And here is a *SMILEY FACE* just to end on a happier note.

(Mr Bryddia, I shall get to questins soon(ish))

A short tale of the Half-Continent well worthy of your time (IMO)

2011-05-26T17:25:00.004+09:30

Hello folks, I have just returned from England's sunny shores and am so jet-lagged my body keeps asking me in a feed back loop, "Should I sleep now? Should I eat now? Should I go out and run about now?..." Taken up in the name of research for the next Half-Continent story (now in its 4th chapter) the trip to the UK has filled my head and soul with so much historical and contextual excellence I scribbled half a notebook's worth of notes and am fit to burst with an expanded sense of the Half-Continent (... once I can tell which end is my head and which is my hind).

I am however compos mentis enough to have found a most excellent short story over at the MBT Forum, penned by a soul who goes by the apt name of Master Come Lately. It is an ingenious passage of prose describing a scene you will recognise (as I did with a steady and wonderful dawning sensation) from MBT/TFT yet seeing it through a novel perspective.
I do not want to spoil it by saying any more than this.

Brilliant.

What is brillianterer still is that the tale has helped me see that much better from this novel perspective!

Well done, Mr Lately - I think I owe you...

To geek or not to geek...?

2011-05-05T08:54:00.003+09:30

Hello all.

A little while back I heard a fellow of prominently public position speak of a film and its director, saying something along the lines that the director was a self-proclaimed "geek", which the fellow took to mean "prone to making immature decisions."

What do you all reckon?

Is there some truth to this?

Yet Another Interview...

2011-04-05T22:05:00.004+09:30

A small but excellent set of questions answered over at Ouroborusbooks.

Thank you Mitchell Tierney for asking them.

Shaun Tan you Rock my World!

2011-03-31T09:41:00.010+10:30

I just have to acknowledge the stellar and utterly deserved success of a fellow Aussie, a fellow creative and some-time fellow spec fic con panelist, Shaun Tan, who today was announced to have won the Astrid Lindgren Memorial Prize!

WOO-HOO!

And this on the back of an Academy Award [TM] in Animated Short for the Lost Thing.

Wonderful, wonderful...

Well done, sir.

To Caroline Wojo

2011-03-24T10:42:00.003+10:30

Well, I just formulated a reply to a certain lady in the USofA only to have the email bounce. So, I thunk to myself, how can I get the response to her. Well, my thunking proceeded, hows about making it a blog post, that way she just might stumble upon it. So here it is...

(apologies to long time Sundergirdians if I repeat myself)

Dear Caroline,

I have indeed read your email and here I am replying (at last!!!) just cause I can and, well, because more importantly you had the goodness to write so a reply is the least I can do.

As to advice about writing, I always find this a perplexing question - I am not a product of some tribe of formal training, it is an intuitive process for me, learning by doing, rather than the application of set rules. I am sure there are rules rolling about in this great intuitive blob but they are not what I am most aware of (argh! I ended a sentence with a preposition!!!)

Probably the best formal "rule" given by another author is: Plot is Character in Action.

As for the writing of fantasy: Avoid All Cliches like they are Swine Flu... ... that said, you might still perpetrate a few, but if your general intent is to avoid them, then you general will, and just might give to the world something that lightens and improves people's lives, not just numbs them with frothy oft-repeated blah.

The best practice I ever had and will ever have I think is reading, and reading well, by which I mean those books acknowledged as "classics" (though I do not find them all so), written with truth and mindful intent by folks with clear skill, not just to cash in on the latest fad. Having said that, it has not been some deliberate intent on my behalf, just that after reading Lord of the Rings I found that the only texts that really hit the same "button", that approached the same delight were not all the pulpy (in the worst way) fantasy fare, but the likes of Steinbeck, Kafka, Fitzgerald, Hesse, Galico. You see, my conviction is that if you're going to write it ought to be as good as you can make it, not just hammering away on the keyboard to get out a product, but show the contents of you soul to others in a way that is both utterly true of you and considerate of them.

I hope I am making sense.

Perhaps the best thing I can do is tell how it is that I have some thing to even write about, a bit from my own life, maybe that will help...? See, the real moment for me where a light bulb clicked and I really wanted to write was the reading of Lord of the Rings when I was 12-13. I immediately pulled out a large sheet of paper and began drawing my own Middle-earth-esque map, begun to write my own story (all 26 foolscap pages of it! - which I thought a lot at the time). Yet barely begun I quickly realised I was not able to really say what I wanted to say, that I was not quite long-lived enough, that I knew in my soul what I wanted to achieve (something even half as life changing as LOTR) but that I had not been on the earth long enough nor yet possessed quite the capacity to do as my hero, Tolkien, had done.

So, I stopped writing.

(Actually, I did at about 15 or so begin a new tale all my own, with my own ideas that after 60 odd pages devolved into teenage angsty blah, but I WAS writing, so that is something)

Yet in me continued to burn a desire to create a work that shifted me as LOTR shifted me. Finally, in second year uni and with and hour and a half bus ride one way I was reading all manner of goodly books, until finally I hit one - Titus Groan - and then pop! The dual inspirations of LOTR and this combined and I began to invent what eventually became the Half-Continent.

That was 20 years ! ago. It has grown little bit by little bit ever since, drawn from all those things around me that delight me, working them into my own distinct whole.

So my intent in this little tale is to say most of all, be patient with yourself, writing is a skill that will only (Lord willing) improve with age and experience, indeed, it is a journey of a lifetime. So keep writing, that the great ideas you are having now will unfold into even greater ones.

Now, as to developing characters: well, I suppose I ask myself how they might react in a given situation, and am a bit tough on myself to make sure that I keep the character true to how they would really be, not just making them go they way I want to plot to go. So we come back to it, Plot is Character in Action. The best advice I can give here is let your characters tell you what they would do next rather than you forcing them against their true selves to go in some predetermined direction. This forcing of a character ALWAYS breaks either them or the integrity of your story. And if you are wondering how they might be, watch people, see how they are for real, and read history and/or biography to see how folks in time have behaved - real life is always odder than pretend. Doing this I reckon will give you a much bigger pallet of reactions and emotions to draw from. Also, I would say the writing of characters is acting on slow motion, that you become that character like an actor might and perform their part (in your head of course, though you might yourself like to be more demonstrative - each to their own).

The writing of detail is a craft my editor will tell you I am still yet to master myself. You must remember in reading my words or those of proper writers is that we have all been edited, all been helped hugely to be the best selves we can be. What I can say is that detail for me is a matter of passion, I really care a whole lot about all the bits and pieces, the lay of a belt, the fold of a cloth, the bend in a road and the lean of a stand of young pines - you know what I mean. Description of details in NOT an Inventory of Stuff - just some long list of objects, it is an expression of my delight in the all the "bits" that make this character, this scene, this (pretend) world tangible, visceral, right here and now. I get the feeling you love details too, so write from that love, that passion, your own delight for all the accoutrement's that matter to you.... And be prepared to edit edit edit it all down to the best of it.

A great adventure (and trials too) stretches out before you... But you don't need me to tell you that, I can tell you already know it.

Phew, and here was me thinking I was just going to give you a quick missive in response to let you know I received you email and was thinking about how to answer... Well I guess I have done that then... :/

DMC

What to say...? or I keep changing things!!!

2011-02-28T10:51:00.017+10:30

How does one go on after a silence of two months? A strange thing it is to disappear so abruptly - all I can say by way of some manner of compensation is that there has been A LOT of good work going on for the next Half-Continent story (rather than the much anticipated Harlequin romance set in outback Australia... sorry about that folks, I know you were all longing for it so :) - a synopsis written, various passages penned and muchas muchas muchas research and invention going on.

The upshot right now of this is that in going much deeper into the construction and function and crewing of a ram I have discovered that some of the information about gastrines and rams given in MBT is now revised. I must confess myself a tad perplexed: how am I to proceed?

The normal process is to present your world full-formed upon the world, an unshakable rock of continuity and consistency. Yet here I am tweaking and changing and - more properly - refining ideas all the time, as I have always done.

What concerns us here are gastrines and just how it is that they work. Here are the variations:

OLD IDEA AS PRESENTED IN MBT ~

dog box & gears
5-20 year life span
jointed leavers everywhere
put into the vessel individually

NEW IDEA AS I WORK IT THROUGH MORE ~

muscles work straight to screw; "gearing" is simply the amount of effort gastrines put in and the number of gastrines put to the screw
30-50 year life span - I like the idea of them living as long as a generation of vinegars (& notwithstanding death due to sickness or injury or being eaten whole and entire by a ravening kraulschwimmen)
straight wooden beams and levers
grown within the vessel (though this one I am not so sure about)

My thoughts are that none of this actually varies things too much, that the previous information can be easily incorporated into the revisions and vice versa - well that is what I hope anyway... Is it appropriate to simply alter things as I go and expect you all to just keep up? Is it actually a good thing for the whole process to be evolving right out there in publicland?

Where I will draw a line is at the total reversal of an idea: what I intend is only the kind of fluctuation that will occur as a I think an idea through all the more deeply, and discover some real-world fact that adds to the whole.

So, there, I am back, fretful as ever - if anyone is still reading :/

Most earnest mae culpa for so long a silence.

Oh, and just to speak into any suspense, my current project is (at this stage anyways) a new story with different characters set in HIR 1602 - the very next year after MBT. Events in MBT have an affect on it, are part of its own motion - because, verily, they are events more particularly in the Half-Continent - but it is its own tale.

Thank you for all your - well, "suggestions" is to little a word for the depth and passion of your thoughts but it will have to do... maybe "advice"? - it helps a whole heck of a lot, even if I seem to be going in some other direction, your thoughts and ideas go with me all the same.

Final inkling: I reckon this will be a stand alone story - no multiple volumes...

OK, this one really is the last thoughts: Rossamünd's story does go on, whether a write about it or not, so let your minds run free with that one; & Europe is indeed too "cool" to let go, but I reckon I need time to ponder just how to tell about her next... & I reckon, though I seem to "avoid" or digress for now, that the Half-Continent might indeed be working up to some kind of dissolution, though do not mistake the movements in one small part of the Sundergird (as seen in MBT) to equal a threat to the greater part of it - just see how small an area we cover in the story so far; I reckon folks in Hamlin or Gottingen could not give two hoots what happens in Brandenbrass (bar the impact on trade, I suppose.. hmmm...)

It must be said though that cataclysmic dissolution is a bit of a genre cliche, too, and though I keep finding myself in my inexperience committing them , I am trying not to do so, and all conquering baddies threatening the existence of everything seems an obvious one to avoid. The original premise of the Half-Continent was that the existing relationships were/are enough to generate stories without then needing to break the idea.

Apart from a certain LoTR, the few genre novels i have read always seemed their best at the start with the original concept of the world, before everything gets broken - it was where I wanted to stay, and I haven't and continue to put all this work into figuring just how the H-c works "now" to bust it all up again. That said, I do think there does need to be some manner of larger and obvious conflict... hmmm.

...& Aphrodine, expect to find "rumsibol" in some form in the next book too, if i may, simply brilliant!

Revelations from the Forum Roleplay

2010-12-06T12:16:00.008+10:30

Been reading the roleplay going on over at the Forum and was delighted to find Wolf Blood's out-of-character comment as the story being told unfolded:

"(My mistake has turned into a plot element :D)"

I had to laugh in happy sympathy here, Welcome to my world! I could not help but thinking.

Such accidents are the stuff of writing.

Oh, and yes, I have a new poll - rather pertinent as momentum slowly gathers in me to begin a new text in the new year.

Out there some where...

2010-12-06T11:52:00.005+10:30

Below is the prepared speech I readied as a member of the Negative for a debate recently, arguing - for the positive - that career success was entirely up to chance. In the end I delivered my part off the cuff and did not use this speech at all. Therefore, I thought I would share it with someone so as to put the work to some kind of use...

I appear before you in the role of writer, the creator of the Monster-Blood Tattoo series, three books – or roughly 350,000 words – published in 18 countries and 13 languages, with hopes and plans to write further stories in a similar vein and a of long career ahead.

Yet I trained as an illustrator – not a writer – at the now vanished Underdale campus of the UniSA.

How on earth did I get here?

By sheer fluke it seems: for after a somewhat successful 9 years in Sydney as an illustrator, when of a sudden, I quit my job, where I lived, upped sticks and with a Great Plan burning in my soul went on an adventure across the seas, New York, London, Paris. Only The Great Plan failed. I found myself crashed landed, broke and broken hearted back here in my old town, Adelaide, without a job and my old bedroom as my only bunk. Gathering myself up from the dust I put folio under arm and went out to rebuild my illustration career. With help from a fellow illustrator friend, I managed to get my work seen by Dyan Blacklock, the publisher of Omnibus Books, and they were impressed enough to give me first a book cover then a picture book.

Now, I need to tell you that ever since my uni days – and after discovering the works of the great Mervyn Peake – I had been filling notebook upon notebook with ideas about a pretend world and just how it worked. So it was that in one of many long conversations with Dyan as we worked together on various illustration projects, she happened quite accidentally upon one of these notebooks (# 23 to be precise). Puzzled at the scratchings and scrawlings it contained, she asked me what it was, and I told her: notes for an entire made up world. She asked me if I written any stories, and somewhat embarrassedly – to me it was very private stuff – I told her, “Not really, some starts but nothing much…”

“Who are some of the characters in this world?” she persisted.

Still feeling awkward, I listed off a couple, finally saying, “And there’s Rossamünd; he’s a boy with a girl’s name…”

To which she promptly ordered, “I want you to put him down in this pretend world and tell us what happens to him.”

And so – a thousand words at a time – I did just that, until, satisfied I could actually write too, Dyan offered me a contract for a 3 book deal.

So here surely we see that by these collection of flukes I was in the right place at the right time and got the right result. Call it chance, fate, destiny – I am myself convinced it is God’s work in my life – whatever you name it, without this great “chance” I would not be here talking as I am.

And so here I am! I have turned coat and seem to be arguing the case of our colleagues opposite for them, yet wait! Hold up! Let us consider a moment. Let us go a little deeper. What looks like blind do-dah happenstance – a lucky break, “ooh, isn’t he lucky…” – is in fact a long string of consequences born of preparation.

If it was not for a certain assignment in the second year of my illustration course, I would have never discovered a certain author who by their inspiration set me off the long and now habitual practice of writing in notebooks, without which – as I have elaborated – I would have had nothing for my publisher to discover. More so, without the preparation of my illustration degree and the preparation of 9 years as practicing illustrator in Sydney-town I would not even have the opportunity to be in that right place, for it was as an experienced illustrator that I gained close access to the Publisher of Omnibus Books. And without all that mass of back material, the writing of the Monster-Blood Tattoo books would have been very hard, indeed may not have even happened.

So here we are, I am no blackguard after all: though my preparations might not have been directly for writing as a career they were preparations none-the-less, and the “lucky break” now is shown to not be quite so “lucky”.

The Roman philosopher Seneca is said to have said that luck – or chance – is when opportunity meets preparation, and I – who once thought himself the least preparatory (indeed I collected my thoughts for this debate in the very last minute) – turned out to be very well prepared indeed for the opportunity presented to me 7 years ago in the publishers office at Omnibus Books, and so for my career.

You may not end up where you intend, but you will get wherever you go on the back of or the lack of your preparations; for fate or destiny or chance will avail you little if you are not prepared for the opportunities it offers.

And surely, in the sum of it all – whatever our “job” might happen to be, our best career will always be to live as a half-decent person and this is something I hope we would not want to leave to chance.

So, this might have been my required response, but I could help but wonder afterwards: is life all about chance or preparation?

Housekeeping

2010-11-19T11:00:00.005+10:30

Another interview, this time a transcript of a live recorded interview I did with the wondrous and warm Bec Stafford whilst attending Aussie Con 4/World Con 38 in Melbourne early in September.

(THE FOLLOWING IS AN ANNOUNCEMENT FOR ADELAIDE RESIDENTS ONLY I'M AFRAID, sorry everyone else...)

This Sunday 21st November at Dymocks, Rundle Mall, from about 2:15pm-ish onwards, myself and a collection of South Aussie YA authors & illustrators will be out in public. The attending authorial and draworial types include:

Robyn Opie
Malcolm Walker
Claire Richards
Greg Holdfeld
Rosanne Hawke
Ruth Starke
Jane Jolly
Don Henderson
Janeen Brian
Katrina Germein
Dan McGuinness
Ben Chandler
Allayne Webster
Robert Moore
Elizabeth Hutchins
Sally Heinrich
Sean Williams
Rebecca Burton
Lauren Fuge

Hope to see some Monster Blog locals there... :)

On and on I go...

2010-11-11T10:46:00.007+10:30

First, I want to point you to an interview (yes, another one!) with Drew Bittner over at SFRevu for your perusal. There is also a glowing review at selfsame site also written by Mister Bittner, (WARNING: this is a little spoilery, so, if you have NOT read Factotum head over there at you own peril.)

Now, the following was caused by but has only some connection with the comments previous about art being work or reaction. On I go...

Dare I admit I actually have very little truck for the whole post-modern, "It's all the the eye of the beholder/ reader interpretation is supreme" thing.

Reader reaction/participation is vital: I write very much to create a particular set of reactions in you all - of brand new vistas, of wonder, of adventure on an adult scale, of (I hope and strive) some small portion of the life-changing wonder I had when first reading LotR as a 12 year old.
As an illustrator it always struck me that the intent of the creator and the reaction they are looking to provoke was/is the primary point. Heck, half the time I was just filling the requirements of a brief, but then would have folks insisting to me all these wondrous "artistic" notions in my work that I never meant, nor knowingly put in.

The counter to this is, obviously, the "Freudian" one, that I could not help put deeper elements into my work. While this may be - and is probably - true, the alchemy of my "stuff" with theirs seems to also bring about an element of fiction within my viewers reaction too, an attributing to me things not necessarily so. Yet who am I to deny such response?! Without the reader/viewer what is the point? What is MBT without your participation? A bunch of ideas rolling about my head. For years I tried to show people H-c stuff, to which the common response was bemusement or boredom. Though i might have been making stuff up for the fun of it - for myself - I was clearly looking for an audience, for participation, reaction, validation.

So I suppose we find ourselves with a synthesis. Creations are made to be participated in, reader/viewer response is vital (unavoidable, indeed, sought after!), yet the creator's intent surely has a place, surely what I wanted to make deserves some respect, some consideration?

Oftentimes I have not (and I quote from Amazon):

"that was the worst book i have ever read. dm cornish is a hack. never read this book. " (the author's punctuation/capitalisation)

OR

"Someone please tell me how anyone (ANYONE!) can get past the truly awful title. And after you achieve that monumental goal, how can you navigate the vinegar seas and bleeble blabble names that are intended to justify this as a truly unique creation and world? I, for one, couldn't manage the feat."

So who is right here?

The post-modern response would go something along the lines of, "well, for these readers that is what MBT is..." i.e. rubbish. But IS MBT rubbish just because they say it is. Again, p-m thought will assert that for these too folk it is. Indeed, my stories are not perfect (despite the flarings of my ego insisting otherwise) and I can understand how they might not be everyone's cup o' tea, but surely my intent in penning rates some contemplation and even merit from even the harshest critic?

So who is right?

There seems to me to be another factor at play here, one very hard to fix down, even dangerous to do so: the notion of something having merit in and of itself regardless of opinion. Yet what/who(!) arbitrates such a reckoning? Are not humans the deciders of such things? Yet - for example - as we see with the Amazon quotes, there are those who revile MBT, though many of you here think it worthy. Who is correct? Is it the majority voice? Is it that if we get enough saying it is "good" then it is, and the few who did/do not like it are free to their opinion? In a way this works, but what if the majority say that something bad is good, as in the citizens of the Haacobin empire holding all monsters as bad? There are only a few who dare to acknowledge otherwise, yet we find that the majority are not in line with what is actually the case, but the minority.

So what happens then?

Our majority model has collapsed.

Who arbitrates what is so here?

The issue maybe, in the end, is that we in this age of pluralism, dare not say another's sentiment or notion is wrong for genuine fear that we ourselves might be subject to such a charge; that in some close held idea, we too might be wrong, and this is intolerable (I sure don't like holding the thought for too long!). So rather than let this dread event occur we say instead everyone is right, formulate theories to maintain the same, and remain in our cocoon of "rightness"...

There seems to me something going on here that is beyond neat theories.

My word I bake my own noodle sometimes... :\
(I have probably made no sense at all... ACK!)

A thought

2010-11-09T15:23:00.005+10:30

The Half-Continent is as real to me as a memory of a great holiday; sure, I went to an actual place for my holiday, but now the cherished memory is the only reality of that time left to me, and it is with such a sweet sense of recollection that I call up to mind any location - or person, or event - of the Half-Continent.

Indeed I would go so far as to propose to you, that any such device of creation - art, books, film, music - that has truly moved us occupies such a place in our soul/mind and as such, has a force and influence on us as enduring as any real event.

'Tis a theory of mine...

Not sure why I write this, but I have, and now you have read it.

Well, cheers, dear friends.

2010-10-28T09:26:00.008+10:30

Thank you all so much for your uplifting words, though my logoseremoty ( log-o-serr-EM-o-tee, "word-emptiness", "word-desertedness" - just made that up to keep my hand in, woot!), my spirits are genuinely lifted. Indeed, as you can see you have [provoked me to play once again with words I so love. Thank you for your care.

And to show that not all is mired in the Slough of Despond, I now present to you some post-MBT/TFT (= The Foundling's Tale) doodlings for your delectation.

(WARNING: This is pretty nerdy, rivet-counting stuff, but that's where I am a Viking so there I shall - and do - go...)

The first is the plan of a vessel I hope to write about soon.

The next are some mottle and harness diagrams of various states within the Haacobin empire and some realms without too (these are but a sample of a much larger work where I am attempting to fathom the appearance of as many states/realms as I can).

Where are my words...?!

2010-10-26T08:57:00.005+10:30

Dear All,

My words are gone and I don't know where to find them... As an example, I needed my thesaurus for this post, but could not immediately find it. That has never happened before - I always know where my thesaurus is at. Exhibit b/- I have hardly touched my notebook: last year I filled two, yet as this year as it ticks on to it's end, I have barely made it a 5th of the way into one.

What is going on...?

And here was me thinking I had "made it", that I would be immune to such "humanness". Ack!

How does a writer get his words back?

Tell what does make me happy though, knowing that Factotum is already beginning to make its way to you all. Now we get to find out if I can really pull off an entire story or not, which was, during the process of the last 6 years, of real concern to me...

Still is :/

Is it just me or do seconds take forever to pass; weeks can flash by, but seconds seem to plod along with nigh tauntingly ponderous - even reluctant - leadenness.

Next!... or: where'd he go?

2010-09-29T09:59:00.005+09:30

One would think that after setting off on an exciting journey half way across the world's smallest continent/largest island to attend WorldCon 68/AussieCon 4, that a certain person who for today's purposes shall remain nameless, might return to immediately post an enthusiastic rant about how much fun it was, how baffling it was, how great it was to be taken care of by Chris and Ed and Dim and Brie and all the writers of the (what I have dubbed them) Melbourne Writers Conventicle; what a delight it was to meet one determined E.K. Vollmer all the way from a town called (would you believe it) Sebastipole!; how cool it was to receive encouragement and honest critique from Kit (and by extension Patience St.James - there are two Herbroulesse in the Sundergird: the one we find in Lamplighter was named after the much older one you find on the "BIG" map, honest); how exciting and rewarding each panel - with such lights as Kate Forsyth, Shaun Tan, Ian Irvine, Juliet Marillier, Lara Morgan, Richard Harland, Russell Kirkpatrick, to name(drop) only some - I was on actually was... but apparently no.

Apparently said nameless soul has waited 2 - maybe even 3! - weeks to post something.

Why is that? you may not actually be asking yourself (if indeed you are still even visiting this barely-a-blog).

Well, not sure actually: I think maybe it is a great tumbling collapsing relief that after so long above person has actually produced what they were tasked to produce (both by their original publisher and ultimately by themselves); also it is the great wilderness that it seems often comes after a writer has completed a long project (I cite here the great talent, Michael Pryor , who said at the con that, having this very moment finished his own 6(!) book series, he now feels bereft

So here he sits, hiding in his room, playing too many computer games (and thus inviting judgement from all non-gamers), squeezing out a post to you all, actually very excited that MBT Book 3 is almost here. indeed that some folks might even have copies right now and that all the speculation and wait will (I most earnestly hope) be rewarded.

As to those projects mentioned in previous posts, the Next! of this blogs title - well, they are sitting there, waiting to be picked up soon: for, Lord willing, the penner of this post surely want to write more Half-Continent stories, but right now and just for a little bit finds it necessary to let the "field lie fallow" as it were.

As to why I spoke of myself in the third person for much of this post, I do not know either - Jung would have a field day, I am sure... T'was and interesting writing exercise never-the-less: I have been told that this is a good thing for a writer to do after finishing a big work, to write short things, try stuff out, keep your hand in but keep your goals small so you still feel like a writer who can achieve stuff. All very helpful - now it remains for me to put it in to practice...

BTW, you may not have noticed, but I LOVE ellipses...

Aussiecon 4 World Science Fiction Convention

2010-08-30T09:10:00.004+09:30

Here we are, the very week Aussiecon 4 is going to happen and I make the great trek to Melbourne to take part (both scared and excited in about equal measure). The Con (as we in the biz call it...) will be running from the 2nd September to the 6th September at the Melbourne Convention & Exhibition Centre (link to map of where it is). The Guests of Honour are Hugo-winning author Kim Stanley Robinson, award-winning Melbourne artist Shaun Tan (woot!), and dedicated fan Robin Johnson (just to get your interest, maybe...)

As for me, you can see me fumble my way through various topics of which I am only marginally qualified to fumble through at these days/times:

Thu 1600, Rm 217: Wrought from the very living rock: world building in YA spec fic.
Sat 1500, Rm P3: Behold the wonders! Art, design and the visuals in YA spec fic.
Sun 1100, Rm 210: The series question: big books chopped up or small books glued together?
Sun 1600 Rm 211: Let’s get lyrical: poetry in YA spec fic
Mon 1200 Rm 212: The lure of a good map.

Not sure if this is busy or not. Do know that I am very happy to be involved.

I hope I get to see some of you there; make yourself known to me, it might be awkward, but it would be cool non-the-less :) (They say one of the worst things that can happen to a book is to meet its author - let's test the theory, huh...)

Well look ye here!

2010-08-16T10:39:00.007+09:30

This! did arrive on my doorstep this morning!!!

It is finished! Never thought I would see the day of the three spines lined up 1 - 2 - 3.

And so you have continuing proof the Factotum is indeed on its way to you all, that every day is another day closer to official release, that the book is done and will soon be in the process of delivery to you local book-pusher.

An Interview to tide you all over.

2010-07-19T09:10:00.005+09:30

We are getting closer and closer to Monster Blood Tattoo Book 3/The Foundling's Tale Book 3 Factotum getting into your hands, but until then I hope this interview at The Enchanted Inkpot will tide folks over (just a little). Thanks to Ellen and her comrades for such great questions.

Oh, and I hope you all will be happy to note that the next Half-Continent book is slowly forming even now...

... and there is a new poll, at last! (just over on the right)

Tropes & ...

2010-07-07T10:26:00.004+09:30

Now, in my experience (not necessarily that broad, but there you go), the word "trope" is usually thrown about in a supercilious manner by folks who have themselves never dared to bare their own soul in story to an often unkind world to show how superior they are. In this example, however, over at TV Tropes, the use of the term in so thorough and gleeful a manner has been a revelation, and very helpful to boot! I had no real notion - for example - that MBT was a "world of no grandparents"; this was certainly not intentional but probably reflective of my own real life experience. It is funny how hard it is to fit such things as a granny and/or grandpa into an adventure story - I shall be on the look out for such omissions in future...
That said, neither do I want to include things just because. Either way, thank you TV Tropes, a/ for liking MBT, b/ for helping me see my tale in so succinct a fashion - a great aid to learning this whole writing game.

Speaking of which, I have begun what will , Lord willing, be the next Half-Continent story, and this in turn raises an interesting dilemma:

...Along with the change of the series name in the US from Monster-Blood Tattoo to Tales from the Half-Continent and the (Oh, I surely hope so!) creation of more H-c tales, what on earth do I change the name of this blog to?

Oh, and cheers very much for your comments last post - has anyone got their hands on a copy of Corsers' Hinge (as found in The Legends of Australian Fantasy) yet?

... and happy new financial year.

Legends of Australian Fantasy

2010-06-11T18:52:00.004+09:30

For all of you wanting/needing a bit of Half-Continent action as we wait for October/ November/ some time not toooooo far away, Legends of Australian Fantasy has hit the shelves and it has a story of mine in it, a whole new non-Rossamünd, Half-Continent story of 90 pages long! If you can not tell, I am very excited...

Unfortunately it is currently only an Australian release, but we hope to reach the world with it soon.

Rossamünd Married?! ... or, Questions Answer'd #120302

2010-06-04T08:25:00.007+09:30

Actually I have no idea what number of "question answering" this is, but, you know, just having fun...

Alyosha asked a little while back why there seem to be few/no married folks in the MBTs, and I have to admit myself a tad perplexed by this. I too have realised such a (Freudian?) anomaly, and can only think that it is for the same adolescent reason that many spec fic novels deal mostly with the filially/conjugally unattached - it is simpler; no ties, no needed to refer back home to sooth anxious loved ones, just freedom to go and do and be as the adventure proceeds. Having said, I have quite pointedly had Rossamünd writing and "keeping in touch" with Verline, and refer in his thoughts to her and Frans and Pin, have tried (after committing the cliche of all cliches by making him an orphan) to give him filial connections that require tending - for I see Verline and the two one-time foundlingery masters as an ersatz family to our little adventurer.

... Maybe the non-married thing is a product of my own un-married state at the time of beginning MBT (a state happily reversed at this present time!), or the desire that I think many men of Western culture possess/have inherited: to do their growing on their own - but that is a whole can-o'-worms [TM] that I do not want to open here...

After all this, I am hoping/endeavouring to have a main character (yes, at least 1!) who is attached in the matrimonial way, though whether said attachment comes along for the ride is another matter. Anyone have thoughts on this?

An Annony Mouse was wondering: "Will the movie be filmed in Australia?"

To that my answer is unfortunately at this stage brief - I do not know. You all will be among the earliest to know when I do (my wife, close friends etc will probably get to know first, but after that it will be you.... at least that is my intent!)

chana was wondering: "How old is Rossamünd?It's been bugging me incessantly for quite a while now. Since Threnody must be at least fourteen, that would mean Rossamünd would be twelve/thirteen years old? It makes it just a little hard to relate to him."

Well, I have always found the "fact" of his age a slippery one, but for me it floats around 12ish - remembering of course, that he is small for his age. It is a bit odd I suppose that I should be a little hazy on his years, but the fact of his own "entry" into the world are hazy themselves. I hope this makes him a tad easier to know...

Oh, and me, as to that "something more to the olfactory presence of MBT books", is is I who make that happen, sitting in my lounge room with a crate of bottles of specially made book-cologne spraying every page - it is why you have to wait so long for them to come out; I actually finished writing the MBTs years ago, it is the spraying of this literary perfume that takes the time *looks sadly at tired cologne-spraying finger*.

Factotum typeset and ready to go! ...or... Still around!

2010-06-01T09:01:00.002+09:30

Hey folks, a bit of an internet blackout period for me or what!

Great news, having just done the last tweaks on the typeset pages the text for Monster-Blood Tattoo/Foundling's Tale Book 3, Factotum is very very soon for the printers! (You've all had to wait so long I thought every little bit of information might help the wait...)

Some questions/points in last post needing to be answered, as I have to shoot off now I will just say of my intention to endeavour to get to them tomorrow.

Australia/NZ Factotum cover is here!

2010-05-11T09:33:00.005+09:30

Here it is, for all you Oz/NZ readers. As you can see, the original vision has not died, just been altered in one part on the world, yet continues elsewhere unchanged. Live on MBT!

Well, time to 'fess up too, and let you know that the release of Book 3 will be delayed a little longer *WINCE*

Australia/NZ - October 2010

USA/Canada - November 2010

Other places in this big beautiful world - TBA

This has been to allow the editors sufficient time to do their most necessary work and therefore worthy the delay (heck, if blame is needed then it is I who took soooooo long to pen the damn tale).

Thank you for all you excellent comments previous post - I will try to get to them, but may not be able to right away. Hang in there folks, we will get there ... eventually.

Was-MBT US Edition covers have arrived.

2010-04-23T08:34:00.008+09:30

Hello hello hello everyone! It has been too long, sorry about that...

Let me make amends to you all by showing you the new US dust jackets for the re-badged MBT. (That's right; re-badged. If you have not caught it in previous posts, the US/Can series of Monster Blood Tattoo will now be dubbed The Foundlings Tale, with the titles of each individual volume to stay the same)

So, on with the show...

Ta da!

The images in the covers are very vertical, I know, that's how Jamie (the illustrator) likes it. Though these are not exactly how I conceive the Half-Continent, as an illustrator myself I like to have a little latitude to create and conjure and so, whilst the pedantic author in me wanted to fuss about accuracy, the empathetic illustrator in me was more than happy to grant scope to a fellow fabulist.

I hope they meet with your approval... If not, that's cool, too.

Europe!

2010-03-11T09:59:00.004+10:30

Here be an excellent illustration of Europe completed for Erin M (aka Ms Ventress)by a friend of hers, the rather skilled Laurie B. I like it very much indeed. I have said it before and I will say it again, seeing other people's interpretation of the Half-Continent is a genuine thrill. (I reckon I need to get something going where folks can show off their H-c inspired "stuff", whether written or drawn, hmmm...)

Used with permission from Laurie B. (c) copyright Laurie B 2010

Notebooks

2010-02-28T11:44:00.006+10:30

Well, a simple post just to show(off?) my ever-growing stack of notebooks - essentially the Half-Continent right there, growing more and more with every volume. The tags are me marking entries for use in the MBTs: yellow = Book 1, Foundling, pink = Book 2, Lamplighter, green = Book 3, Factotum (see, its nigh March already! September is not that far off at all...)

#1 was started about 1992, then one a year until 2000, then from 2000 - 2010 I have gone from 8 notebooks to 34 (that's 2.6 a year, and they have gotten thicker too! - ok, now I AM showing away...) Much of that time I was thinking I was a drawer and here I was filling books with tiny srawlings of madness, not in drawings but in WRITING!

Go figure.

The deep questions of liff...

2010-02-25T11:44:00.005+10:30

I take this brief moment to direct you to a post by ellaquin regarding the name change for the US editions of what will soon be (in the US and Canadia, at least) formerly known as "Monster-Blood Tattoo" (though it shall remain so for us here in the rest of the world).

Honestly, it is how I feel, but I am choosing to trust my editor and my publisher that they fathom their market better. I hope the name change does what they hope it will do. The next big question is, what do I name this blog then?

Also, I actually went to the Forum the other day and answered some questions - yes, actually answered some questions. May such wonders never cease!

Interview for Snapshot

2010-02-19T09:01:00.009+10:30

The lovely RandomAlex has done a quick interview with me for the Snapshot project this year, part of the lead up to

AUSSIECON 4
68th World Science Fiction Convention
September 2nd - 6th 2010 - Melbourne, Australia

... being the 4th WorldCon to be held in Australia. I hope to go and thus for me it will be my first world con ever in Australia or out of it.

And now for answers!

Emma Nicole Reinmuth posits: "Just a theory... Are monsters aware of which humans possess Monster Blood Tattoos without seeing with their own eyes, and does that influence heavily whom they see as a threat? Rossamünd [we can heavily assume] is of monster blood and any action by monsters against him are taken with consideration. Perhaps it's the sense of their blood kin festering under human flesh that really grinds their gears?"

Dear E.N.R., I had not thought of it quite like that, but great late night fancy talk. I reckon it more the sight of cruorpunxis that would warn a monster off an everyman possessing them. I think that once the cruor has done its "thing" in the flesh of a person it has become a part of that person rather than leaving traces. As for eekers and monsters, I reckon there is certainly a "vibe" the monsters pick up, but more so, it is through the observation of the eeker's behaviour that would tell a monster of their sympathetic character. I reckon what ticks monsters off most is the ancient and ongoing treachery (as they see it) of everymen.

Jackie is wondering: "Why did (Threnody) act so possessive of Rossamünd? Did she want Rossamünd as her factotum, or did she just like him? Or was she reacting because she was jealous of the Bradon Rose?"

I reckon it is a combination of them all; vanity at the start that does turn into a crush as the book goes on and true affection by the end. When Europe enters the scenario, it is definitely ego that is driving her, jealousy for what Threnody considers is hers probably more than specific regard or feeling for Rossamünd at the time (well, nothing she would have acknowledged at the time anyway). That Rossamünd does not nag at her or chide her but persists with her is novel for Threnody, and she is drawn to such treatment. That said, she is still a bossy pain in the behind, so along with the wounded heart comes the painful character. Am I making sense?

Onwards!

2010-02-09T09:19:00.005+10:30

Well, the final chapter is re-re-re-rewritten and I am now working on the US edit notes for the third draft. Thought I'd take a break to answer a couple of questions from last post.

First off the rank, Alyosha asked: When Rossamund is setting out on his adventures, and receives the gift of a fine valise in which to carry his few belongings, he has a strong feeling that whoever made the valise intended good things for it’s owner. What’s more, when he’s packed it and lifts it, he finds it much lighter than he expected considering all that’s inside. On one hand, both of these things could be put down to the excitement of a young man at the start of an adventure. On the other hand, for someone who, at a later point in the story, can feel the pull of the moon even when it’s hidden behind clouds, maybe feelings of that sort have some real weight to them. Is Rossamund’s valise more than it seems?

Indeed it is, sir, well spotted! Indeed, you are the first person to do so (well to tell me at least) so my respect! Unfortunately there seemed little scope in the story that came out of me to explore it further, so I left it just as these obscure references. What is actually is I am not sure whether to talk about here or wait to explore in some other story...? Preferences, anyone?

Well, Asia, after some consultation with me they are changing the name to The Foundling Trilogy (I was most enamoured with Rossamund Bookchild, but it was felt that anything with the word 'child' in it might put off older readers; I disagree and think this is overthinking the matter, but only have so much say with an entire ocean between my US publishers and I), with the three individual volumes remaining Foundling, Lamplighter, Factotum.

As to factotums (properly, factotii, Tornac, they are indeed just servant/secretaries who usually can fight a bit too. Threnody's awe is not at Rossamund becoming a factotum, it is that he is becoming a factotum of the Branden Rose!, that she believes Rossamund beneath such an honour. All factotii have distinction not so much because of what they are or do, but rather who they do it for. Great question.

Finally, Carlita has just got wind of the film deal which I can confirm as true. As of right now there is a director assigned (cannot as yet divulge names, sorry) and a writer, and some significant interest from effects companies. So no still no guarantee that it will be happening, but goodly steps closer to an eventuality.

Touching base

2010-01-27T10:05:00.004+10:30

Just thought I might roll around some notions of what might happen post MBT.

I have a sea-story idea rattling about in my head, but want so much to stretch out and explore beyond the Soutlands. Perhaps I might try doing a full tale and pop out a few short stories in the process...

As for leers, Sara Charlotta Johansson, well there is one front and centre in the up-and-coming The Corsers' Hinge, we even get to see from his point of view... but I shall not reveal any more.

Also, there is a discussion over at the Cult regarding the changing of the series title of the US/Canadian edition, new name, new cover, re-launch of first two books, all rather intriguing. Let us discuss...

A new year, a new... thing...

2010-01-11T09:50:00.003+10:30

Well, just to be different I have not begun the year with a January first wow-wee blog post; I have waited instead until the day before I move house for the 6th time in 10 years. Was it just me, or did the entry into this new year seem a tad low key?

Well, here we are, 2010 - the year of Factotum, of The Corser's Hinge, of me thinking about and beginning a new tale: I have a few notions kicking around about what could be told next, certainly it will be set in the Half-Continent (I do not think I have much to say beyond it...)

I think maybe some manner of adventure (a nice, contained middle-class kind of adventure, of course) might be in order, something to revive a soul rung a bit thin after 6 years on Rossamund's story.

What are you folks thinking might be good for the new annum?

BTW: in a fit of ego, whilst checking the spelling of "annum" at The Free Dictionary, I found that they had an entry on me (I couldn't resist!) A little buzz for the ego...

2009-12-25T10:29:00.008+10:30

MERRY JESUS-BIRTHDAY! to all of you, my patient fellow Sundergirdians*, or, as a soul might say in the Half-Continent, "Hale Thisgivingday!"

Time is inexorably moving on and not too soon we will be in the actual year of Book 3's publication (if not the month yet).

I want to thank you all for a year of great (though, I confess slow) blogging, of the ever excellent exchange between us. My hope is to regain some much needed energy over this festive (festy?) break to stride off in the new year with slightly more constant bloggingness (+ thoughts on a whole new story to embark, Lord willing). As always, we shall see.

May this be an excellent time for you all,

D.M.Cornish

*a citizen of the Half-Continent.

Good News & Bad News

2009-11-19T10:21:00.015+10:30

Well, in the midst of completing the 3rd draft, I shall, with great trepidation, start with the bad - as is customary. There is no way to say it but straight: the release of Monster-Blood Tattoo Book 3 will be delayed until September of next year (2010).

*wince*

Sorry, sorry, sorry. The fault is mine for the time I have taken to write it. Apologies to everyone for causing any consternation at such a revelation. A silver lining to such a cloud is that it gives it all time to be just that bit better (the flip side of this being, it better be pretty darn good now then, huh?); also it will give you more time, Ms Ventress, to get a Sebastipole costume ready *hopeful face*.

Okey dokey, on to the better stuff...

June next year (2010) is when my very first short story - The Corsers' Hinge (see your nearest explicarium for what a 'corser' is) - will be released here in Oz as part of an anthology called,

Australia's Legends of Fantasy

It will be published by Harper Collins, Australia. For you folks in other lands, I shall let you know closer to the date how you might (if you wish it) get your own far-away hands on a copy.

I am very chuffed to be included as a "legend" (who would not!) and some of the other genuine legends involved will be Sean Williams*, Kim Wilkins*, Garth Nix, Trudi Canavan, Ian Irvine*, John Birmingham, Cecelia Dart-Thornton, Juliet Mariller, Jennifer Fallon, and on and on... Quite a list, huh? When a cover image becomes available I shall post it so you know what to look out for.

*I have illustrated one or more of their texts.

A Rossamünd Costume

2009-10-31T16:45:00.006+10:30

Given today is October 31st, I thought a bit of costume action would be appropriate.

Ben, 10, the son of a friend of a friend of mine (the faithful and rather clever Sue-Ellen who gets me out of fixes with Latin and Greek) wanted to dress as Rossamünd for his school’s book parade this week.

... And so he did.

I think his costume looks rather splendid; I especially like the battered old backpack and the untied shoe lace. These images makes me realise just how small and vulnerable Rossamünd was when he first left the foundlingery.

I must say, I really dig all these Half-Continent costumes folks make. Thank you Ben... and his mum too, I reckon!

*[Images used with permission]

Q&A

2009-10-22T07:47:00.005+10:30

I'm Allliiivvveee..!

Over at Bookface[TM] (where I am I think spending far too much time... maybe) Jane Hart Mason was good enough to ask me:

Howdy... I hope you don't mind if I ask you a quick question, and I promise not be hurt if you don't have time to answer, or if it is your rule not to or whatnot. I am working on a little story of my own (not really to publish, just for my kid), and although I know what happens next and so on, I just can't seem to get it done. It may just be writer's block, but I am wondering if you have any tips or method as to what you do when this (if this?) happens to you. I have heard some writers set aside time to work on their stories, and even if they can't get anything written, they force themselves to sit there and think about it at least. Have you ever had any success with this? Mayhap you are one of those who is able to just pour it all out without pause, and if so please disregard this query. (I wish! DMC)

... to which my answer was:

Dear Jane, Great question. It beats at the heart of every writer's journey/struggle. For me writing can frequently be like pulling teeth from my jaw = hard and very painful. Even when I am enjoying a story (like I am currently with a novella also set in the Half-Continent) I still have this crazy reluctance to write!!! Don't ask me why, I just work here...Making yourself just sit and write regardless is probably the only way "to get it done"; feelings are rebellious and fickle - only sometimes do I "feel" like writing. Unfortunately it will have to be like getting an injection, you turn up, face the pain, push through and get on with the good stuff afterwards, congratulating yourself for your courage.You might try setting aside half an hour or so with a goal of 100 words. Sounds a tiny amount perhaps, but in such a small, hopefully less painful quantity two things might happen: 1/ the story will get chipped away in little lumps (re: the way to eat an elephant is one bite at a time) OR 2/ you just might find your flow and go on longer, writing more words and even get into the whole project again.Making a list of "beats" as I call them might help too, an extremely brief dot-point of each significant moment. I have just discovered this device in the latter stages of the 2nd draft of MBT Book 3 and it makes my head and the way forward so much clearer. Even if you reckon you know what is coming, this might make it even clearer and build some enthusiasm in you to press on to boot.How is that? Hope it helps. Unfortunately writing is not a magical process, it it the grind of getting the words down occasionally intersped with moments of inspiration, delight and relief. It is climbing a steep mountain on your own and when you are at the top, it is climbing all the way back down again. So, climb on, brave author.

Also, check the comments of previous post for answers to your excellent and helpful questions.

Who lives where in the Harthe Alle

2009-09-03T11:13:00.012+09:30

In an as usually belated response to a continuing question about the inhabitants of the Half-Continent and beyond I have put this map up again but now with all new NUMBERS![TM] by which I intend to answer said query. So here 'tis:

1/ Southeastern tip of Nenin, in the continent known as the Occident = Oriental derived cultures;

2/ Western coast of Heil, called Tung and home to a peoples derived from Mongol/ central asian cultures;

3/ Heilgoland proper, an empire based somewhat on Russian/ central European cultures;

4/ I cannot remember what this area is called specifically but it is home to a wide group of wild folk;

5/ The somewhat mythic lands of Fiele, little is known of here but that perhaps its is a land of sedorners and many monsters;

6/ The (Greater) Derelands, original home of the Skylds (for those who recall the history of Ingebiarge), origin of greater derehunds (most excellent tykehouds) and home of the Hagenards and various other peoples based on Nordic cultures;

7/ Parthia, wide lands, home of wild Hun-like folks;

8/ The Brigandine States, home of the pirate kings;

9/ The very southern edge of the Principalitine States, based on Indian/ Moghul cultures;

10/ The N'go, spread with vaguely African-based cultures of various attitudes to monsterkind;

11/ Turkmantine Empire, the Haacobin empire's most constant foe, based on Ottoman culture;

12/ The Half-Continent, home of the Haacobin and Gott Empires plus minor free peoples, based on western European cultures;

13/ Lausid elector kings and Ing, the former based on Polish culture moving through Hungarian culture and ending in north central Asian cultures;

14/ Dhaghestahn = basically Persian in source.

I surely hope this does not ruin it for people, knowing my sources, my intent; the hope is to show my thinking and give you a sense that there is more to come (Lord willing) beyond Monster-Blood Tattoo.

Also, Magos Kasen asked...
I am not sure if this has been answered before, but are nickers and bogles hunted as sport sometimes? And are they edible?
Why yes, yes they are, especially by the wealthy sporting sets (and the wild kings of Parthis and eastern Derelands, the brave white-skinned souls of Heilgoland amongst others), and as to their edibility, that would depend entirely on the taste buds and squeamishness of each person, but in a general sense, yes, they are edible. That being said, to the goodly, civilised folk of the Half-Continent such an idea is abhorrent. Great question.

...and sorry that I have once again taken so long to post - too much bookface and getting lost in the writing...

Extra-curricular bogle action

2009-09-02T10:12:00.008+09:30

These are by a fellow MBT-er, Ryan Kjolberg, or Kjolbergart as he is known here.

He is currently "studying to become a concept artist and wants to ultimately become a movie director" and has taken some time out to do us the honour of working up some bogles of his own.

As I said to him in reply, they are "absolutely spot on, the combination of fur and fleshy, snaggle-tooth jaws, the intensity of the eyes; it reminds me of just how damn scary a place the Half-Continent could be to live in and how people's fear and prejudice against monsters is in some way well-founded and fair." Thank you so much for these Ryan.

I hope you all like 'em too...
(These images are of course (c) copyright Ryan Kjolberg, and are used by his pernission)

Anyone else got things to share?

Also, please consider 'signing' the online petition saying No Parallel Importation of Books into Australia, if you have not already - for those who want to know more about this issue here is a starting point.

No Parallel Importation of Books into Australia

2009-08-25T16:15:00.001+09:30

No Parallel Importation of Books into Australia

Yes, I am still banging on about this, and I need to...

For those who agree with me that the removal of Parrallel Imporation structures is a bad idea, please, 'sign' the petition linked above - and for those who want to know more about this issue here is a starting point.

As for MBT 3, I am currently drawing the last few chapter illustrations, which can be a joy at times and truly hair-tearingly frustrating at others. I have discovered that I am not as good as drawing hands as I used to be - too much writing and not enough sketching over the last 18 months has certainly made the old drawing muscles rusty.

Looking forward to the continuing adventures of Hesuimu and Somedood versus Borky the Coednedded Stanislaudian Giant Ant - my werazi cans are lined up and ready. (If this makes no sense to you than please read comments from last post - if you dare - they had me giggling... though I am wierd like that...)

Factotum 2nd Draft is DONE!

2009-08-12T16:25:00.002+09:30

You'd better believe it!

The impossible has become the possible.

Explicarium and character illos to go...
(plus further correcting of a 3rd draft - here's hoping that will not be too great a task)

Digital v Analogue

2009-07-22T10:08:00.004+09:30

Apparent Technology Luddite warning!
(though, in such a medium as a blog this is a nice irony)

One of the problems with digital is it is very hard to archive long term, which will bemuse future historians I think. We've had computers in the mainstream for how long now? Maybe 30 years tops; and how many operating systems have we gone through? My the original files of my old stories written on my parents Amstrad 664[TM] are gone, baby! The only version of them extant, printed copies.

One day - and maybe the youngest of us here will be alive when it happens, but I am thinking a couple hundred years time - they may well come to the conclusion that paper is the most advanced step for (especially long term) storage of information. I certainly think the complete digitisation of the world is not as necessary as the digitisers would have us think... but that is just me. No one ever seems to think it necessary to really ask "Just because I can, does it mean I should..?"

Having said that, if reading a Kindle[TM] is just like reading a real book, then I am ok with that.

New poll - all very off topic at the moment, hope people don't mind. Just shows we can function on a level other than the Half-Continent.

Also, for those of you who have not read it, please have a squiz (sp?) at my last post regarding the rather troubling developments in the world of publishing here in Australia.

Advice: Letting your porridge go cold then still eating it is NOT the best way to start the day...

2nd Draft Joy - plus, off topic: Parallel Importation Folly

2009-07-20T20:14:00.026+09:30

I am feeling pretty good having just handed in the first 20 chapters of the 2nd draft of Book 3 (with about 7 or so to go) to my editor, Celia, here in Oz. This is a tunnel after all, not the ceaseless dark of endless night I feared. Phew! I was beginning to wonder there...

I am also feeling rather bemused because here in Australia our government is contemplating the abolition of Parallel Importation Restrictions in our country. This might appear as a good thing, yes? 'Restriction' is a bad word - we should get rid of 'restrictions', it sounds like they are impinging on our 'freedom'.

Yet the purpose of Parallel Importation Restrictions (and they exist in the UK and US as well) is to provide a frame work by which an author can make income from the licencing of the copyright of their story within the three major English speaking markets. So these 'restrictions' actually create clear boundaries by which the publishers in each country knows how to behave towards both authors and the others publishers' markets, and an author themselves has chance to licence their copyright to its fullest potential. So these 'restrictions' actually provide clarity and strangely, a kind of 'freedom'.

The oft-stated benefit of their removal here will be to reduce the price of books by opening our market to cheaper foreign editions. Its real effect, I am afraid, will be to seriously harm Australian authors' ability to make a living from their trade and diminish their access to a viable local publishing industry... and is unlikely to do much to revive people's interest in books, for it is interest in reading itself in this age of easy entertainment that is the problem, not the price of the material to be read.

Those lobbying for such a law are the Mr Bigs (K-mart, Target, Big-W, Coles & Dymocks, styling themselves the Coalition for Cheaper Books) seeking cheaper books, telling us with such genuine pleading concern for we the reading public that their main aim is literacy. They say that cheaper books will improve reading as more people can afford to buy them. (When corporations pretend care for people I see red flags going up all over the place.) What I hate most about this line of argument is that it seems such a cynical play for the higher moral ground, as if these corporations genuinely care for you and yours and need to defend your rights to a literate future. Shareholders and profit margins are their domains, don't be fooled folks.

What-is-more, it is not even true for two reasons, a/ it is unlikely that the buying public will see much bar a token reduction in book prices as the Mr Bigs simply pocket the increased difference, & b/they are called libraries, been around for a while now and books there are FREE there.

What I resent about all this is why it is I who should subsidise the bookselling industry here, if Amazon can figure a way to distribute books so cheaply, why can't our local sellers do the same? Industry reform seems a better option. It is not the authors' fault for bad business models in other parts of this whole book thing.

If there were no Parallel Importation Restrictions in place 6 years ago (2003) when I first dropped my notebook in front of Dyan Blacklock, my publisher and discoverer, there is little likelihood she would have given me the opportunity to write she did. She would have been unwilling to risk making Monster-Blood Tattoo happen only for it to be taken up by a foreign publisher and have those overseas editions being sold back here into Oz in direct competition with the Australian one.

Bizarre, huh... But that is what our government is contemplating.

The very real problem posed for me (and every other author potential or realised in this country) is if Parallel Importation is allowed to occur here in Australia, do I a/go with overseas publishers and forgo an Australian edition OR b/refuse to publish anywhere else but Australia in support of the local industry. Either way I lose income and someone out there in one country or another will find it hard to get copies of my books.

Far out! I would just like to write books and sell them fairly, you bureaucratical glaucologues (see Explicarium Book 2) - enough with the potential moral dilemmas already!

As you can see I am a tad worked up about this; why would I not be? My livelihood is at stake here.

But then again, why should I hope to make a living from this writing thing anyway? After all, that 'creativity' stuff is really just for children and grant-sponging hippie no-hopers isn't it? Surely I should grow up, cut my hair and get myself a real job...

An excellent article I have read on the matter is by James Bradley over at City of Tongues. (The comments are worthy reading, allowing him to expand his point)

It is important to note that neither the US or UK have any intention of abolishing their parallel importation legislation. I do not think the Australian publishing market could survive long as anything more than a discount warehouse for foreign importers under such an onslaught (and I am not sure the Coalition for Cheaper Books really cares if such a thing occurs - indeed, I have this suspicion it might actually play into their careful economic schedules).

So, regardless of my own left-wing opinions on corporations, if you value that someone like me (and you too, working away on your own masterpiece) can be given a chance to get their passion published and to make a living from that passion here in Australia; if you hold dear the existence and breadth of subject matter of your local independent Australian bookseller, then please, let your voice be heard (prayers, letters, blogs - you name it).
Here is a link to guidelines for writing letters to MPs on this issue (yes it is that serious) and their addresses at SAVINGAUSSIEBOOKS.

Here is an excellent article about the fiscal issues behind the current issue at SAVINGAUSSIEBOOKS.

Here is the website for the Australian Society of Authors (bless their cotton socks) that has many links to explore the issue further.

BTW, even folks in the UK (and Canada too) think it is a foolish idea.

Most of these links have been taken from SAVINGAUSSIEBOOKS, so I recommend you head on over there an explore a little further - and by all means, ask me more. Apologies if I have not made an ounce of sense.

Beyond the Half-Continent.

2009-07-15T11:07:00.008+09:30

Here is a (very!) rough prototype scribble of the possible formation of landmasses about the Half-Continent, a fair part of the southern lands of the Harthe Alle (snazzed up a bit with fancy computer trickery). This is still an ongoing exploration for me, which keeps things fun.

The pallid areas are landmasses, the orange to glaucous the oceans (the colour shift representing climactic/temperature change = north hotter as you approach the 'equator', cooler the further south you wend). The solid red mass is the Half-Continent as revealed to you in the Monster-Blood Tattoo books and on the map site. The names in parenthesis are largely old even forgotten appellations for the regions at the time of the Phlegms.

Given the size of the Half-Continent already, I think this would make the whole 'planet' rather large indeed. I believe that though our earth is the optimal calibration for life, a much larger globe is theoretically possible, and even if it weren't, it is now.

And welcome to our 100th follower!... and our 99th, 98th, 97th oh, dang it! Welcome to you all!

Rewriting... Or a Contractual Collision

2009-06-30T19:00:00.005+09:30

What we have below is two page layout views of the first few chapters of Book 3 (those who know MS Word will know what this is, which is probably most of you). The first is Draft 1, the second Draft 2 with all the changes tracked in red.

ADDENDUM as of 1/7/9 ~

WELL... the above is what you would have seen, but a contractual issue back o' house has me now removing said images - though they were diagrammatic and illegible - from the public space.

For those who saw them and were edified by them, glad to be of encouragement.

For those who did not, well, wow, they were the most spectacular things you will ever behold in your span of years upon this planet... there was certainly a lot of red on them anyway. You will be able to see them again once Book 3 is out... in a little while...

Apologies to my publishers for my careless enthusiasm to share.

Sorry folks, more normal transmissions will resume in their usual erratic manner.

Happy New Financial Year, btw.

After Thingy...

2009-06-17T18:49:00.011+09:30

Almost two weeks on (!) I surface from the Sea of Words - the Pontus Logia - to say what a swell time I had at Conjecture 2009; met many amazing folk - organisers, readers, writers and editors alike - though no one from here (thank you for asking Portals). Apologies to you Klesita for not letting you know earlier, would have been great to meet you - I could have answered you questions that are still rattling about my noggin, directly... How about I do so now anyway.

The one most on mind is...

One of the things that intrigues me more is how Clementine, been so far away from everywhere and more over been so far inland, became a centre of power. Most centres of power become that because their position is strategic in one way or another. What is strategic about this place?

I must admit when I look at the placement of Clementine/Benevente on the map I do scratch my head a little and wonder how it got to be so powerful. Its strategic significance is not nearly as relevant in the current (MBT) period as it was at the time of Dido and her most immediate heirs when that central portion of the Half-Continent was full of refugee peoples from the arrogance and subsequent collapse of the Phlegms. Clementine's current significance is that it guards the only passage across the great rift the Marrow and is the historied home of Dido's line, preserved now more because it is convenient for the member states to have it that way rather than its actual strategic importance. Does that help?

Alyosha has a triplet of inquiries still outstanding:

1) Near the beginning of the first book Fransitart says to Rossamund, “Say yer prayers and clean yerself afore th’ meal.” Never after, however, is there any mention of prayers, priests, religious beliefs, etc. Are there religions in the Half Continent? Do folks worship the emperor, Roman-style, or do any of the claves have a religious character?

Do you know, this is the hardest aspect for me in the whole invention... To put it simply folks worship any manner of things: Providence (not very common any more), the false-gods, monsters, ancient and potent therimoir swords, the heldins, an idea (re: many of the calendar claves). The most prevalent "religious" position of most Soutlanders is like a humanistic atheistic cross with certain superstitious fears of monsters.

2) The patrolled portions of the Wormway are dangerous, the lampsmen regard the Ichormeer with fear, and even the far-traveling Europe has never followed the road past Haltmire. In your Explicarium you tell how the family of the Warden-General of Haltmire perished due to wandering just a little way along the Wormway into the Ichormeer. Does anybody actually travel through the Ichormeer from Haltmire to Worms?

Not very often, no. In fact it requires a concerted effort to effect a full traversing of the Wormway, and the passage through the Ichormeer was a great military undertaking, lead by Imperial Engineers.

3) The origin of the lahzars is shrouded in mystery; but, an origin there must be. One of the other mysteries you weave into your story is the sad, strange tale of Biarge the Beautiful, and I wonder if the two mysteries are related – if Biarge’s mad experiments to save Freyr are in some way the source of the dark knowledge that birthed the lahzar-creating surgeries?

Hmmm... I like where you are heading, sir...

Now to dear Headtrip Honey, niggled by a couple of questions:

You stated somewhere that you imagined Europe to be about 29. In Lamplighter, we learn that she and Lady Vey were at school together (the calendar-training one). And we also know that Threnody is around 13/14. So how old is Lady Vey, and how old was she when she had Threnody? Because their being schoolmates would suggest she is close in age to Europe (although I suppose it doesn't HAVE to be so), and 29 would be awfully young to have an almost 14 year old daughter.

I have revised my sense of Europe's age just a little since penning (and now re-penning) Book 3, shall we say somewhere betwixt 29 and 33ish. Either way, her contemporaneous attendance with the Lady Vey at a calendar clave does not automatically mean they were/are the same age. Claves are not schools - people from all paths join them - and even schools in the Half-Continent do not function the same way as we find familiar. As for her age when bringing forth Threnody into the world, the Lady Vey was quite young, though certainly not 15.

Her second question is much simpler:

How does one pronounce Threnody's name?

THREN-uh-dee
(capitals indicate where to stress the word - I can perhaps hear certain more North American folks possible calling her 'thren-OH-dee'; that is not how I hear it in my noggin or say it, but then again I am Australian...)

Please, keep "overthinking", ma'am...

Excellent queries (as ever). If I failed to answer one of yours, could I ask you to please ask it again...? Now, back to editing for me...

Conjecture 2009

2009-06-04T17:26:00.008+09:30

I am surfacing from my Pit of Editing [TM] (cesspit, maybe...?) to let those of you in the Adelaide vicinity know that I will be doing a reading and what they call an 'author appearance' on Saturday 6th June (this Saturday!) at this year's Conjecture Spec Fic convention.

Details as follows:

Saturday 2:30 - 3:30
1st floor Holiday Inn, Hindley Street, Adelaide

...then at 5:30 at same venue I will be helping to launch Richard Harland's most excellent new truly steampunk offering, Worldshaker, a novel definitely worth your time to read (I liked it so much they put what I thought of it on the cover). Along with this book I cannot recommend highly enough Richard's WritingTips website. You can even download a .pdf of the entire document for free FREE FREE from the site. Richard is an absolute legend for producing it, so go see, please! It is an veritable mine on the whole process of this thing called writing, from getting going to getting published - I have certainly learnt a thing or twenty from it.

Lots of excellent folks will be there all weekend, so, please, if you are able, come along.

(Apologies for short notice & to those who are unable to come even if they wanted to because they happen to live in another city or country...)
... Oh, & I will get answering on your excellent previous post questions very very soon, honest.

The stages of editing.

2009-05-27T17:04:00.015+09:30

I thought it would be simplest to show you the very beginning of Lamplighter. I will make some comment on each version but will let them speak for themselves - my hope is that when you click on an image it will show it at a better, more readable size.

Please, ask any questions you like.

As you can see my initial beginning was markedly different from what we now have in the book. My first thought was to start the very next day from where Foundling left off. I am glad that I did not. The where to begin a story is one of the big challenges in writing. Apart from this, other problems clear to me (now, at least) are a/ that Grindrod is unrealistically harsh & b/ the excessive use of capitals for his voice.

Next is the proper beginning to the story; it is bloated and clumsy - but that is the nature of my first drafts for you... The comments on it are made by the fair hand of my publisher, Dyan Blacklock.

The change from first to second draft is hard work but seeing the better, tighter story emerge from all the pain is a genuine joy. The scribble in green is my own hand as I continue to improve the text - all those little details and tweaks that feel make the tale a whole lot better.

This final stage is what are called pages. It is the properly typeset book printed out on ordinary A4 paper for me to go over for any final and usually small corrections. I, however, made some significant changes - as you can see by the highlighted text, which, if memory serves, was shifted and cut. If you get out your copies you shall see what I mean. This is not normal at this stage, of course, but most was agreed to by my editor (the purple penciled Celia Jellet), for it indeed made the whole work again that much better. (I paid for the re-typesetting, btw - 'tis only fair...)

There you have it! Just like that. This book writing thing is easy!

Also Gareth of Falcata Times asked me to point you all to their review of Lamplighter, which fits well with this post, the final end for this whole process: people reading it and even reviewing it. Thank you, Gareth!

For breakfast today I had porridge with sultanas and a cup of Irish Breakfast tea.

A poll for you...

2009-05-23T11:38:00.002+09:30

Just put up another poll for your pondering (just scroll down a bit)... more substantial posting coming soon.

Still here! Still here!

2009-05-12T14:48:00.004+09:30

Just in case you thought I had shuffled off somewhere, I am still about, honest, being very preoccupied about editing (actually a major rewrite - you should see all the green pen scribbled over each page, the inserted pages with even more green scribblings) and slack about blogging.

I heard once that you need to post at least once a week to be considered a real blog, so I don't know where that leaves us...

Just thought I would acknowledge that "clede" (a corruption of Mr Hranac's 'cledu' verificon word) meaning a country dance, and most likely "verger" (coined by Alyosha's daughter) meaning a builder of fortifications, might well have a place in the Half-Continent. 'Tis a bit perplexing about how such things work though; can I even have them to use? They are other people's stuff after all. I could sit here and just plunder you all and never have to come up with my own stuff - though where is the fun in that...! endless invention is entirely the point. It is just that some words are just right for the idea. Then again, there have been several times I have had to let some entirely perfect 'word' go because it is someone else's property, which just pushes me try again, to dig deeper, to slide sideways and get inventive. What I do not want is to be is a thief.

Back to the rewrite... (oh, and I will put up some old variants of bits of Lamplighter soon, to show what editing does for me -and you too, as the end users... did you know that you are 'end users'? Sounds a bit cold...)

Hope you all are well.

Oops, no title!

2009-04-29T16:25:00.004+09:30

monday comes bearing a "nosy personal question, Mr Cornish: I was just re-read Foundling again and am suddenly wondering if you have some sort of deep-seated, sweat-inducing terror of, when traveling, accidentally getting on the wrong bus/train/airplane. [I'm talking of course about Rossamund's incident with the Rupunzil and the Hogshead.] because i am a paranoid traveller myself, and that situation certainly struck a chord with me...did you have some sort of bad experience, or is it just the product of an over-anxious imagination?"

I think it is the latter, though now that I ponder it, I certainly have an at times morbid concern for missing my stop - may be that is it?

Ben Bryddia was wondering... "Since it's not socially acceptable to be abroad without a hat of some sort in the Empire, does Europe's refusal to wear one say anything about her personality?"

I reckon it does, yes... especially in light of her rather ironic observations of Rossamund's continuous loss of his own head ware.

He also went on to muse, "I was also wondering if fuses came in any other shapes than the simple poles described in the books. I have no idea how one would wrap a knobbly bastinade stick with wire, but the concept sounds rather interesting to my addled thoughts."

This seems a perfectly feasible and probably likely variation for some certain fulgars. Sets me on interesting train of thought...

Dear Master portals ponders, "I was wondering - with all the monsters, how is hunting in the H/C? I mean, everyone seems quite well fed, but I never heard anything about actually getting the food. I know Rossamund walks past pastures with cows, but he also eats venison. Maybe I'm missing something (probably, but ... yeah ...)"

Fair question. Hunting and rearing of such things as deer ready to slaughter for the table are very much alive and well in the Half-Continent - something you can just assume are occurring. They have not appeared especially in the books because there is only so much minutiae I can put in each one... and I reckon not every spoke of the wheel needs reinventing (just most of them ;).

The most excellent Perry Middlemiss over at Matilda has picked up on my previous enthusiasm for editing, but I can say now that yes, indeed, as Klesita suggests, editing is taking its toll... *deep breath* The second draft is bearing only some resemblance to the first - the journey is very different every time. Added to this, I just learnt today the Robert Louis Stevenson wrote the first draft of Doctor Jekyll and Mister Hyde in 3 days (!!!!!) - I wish!

The Agonies of Editing

2009-04-17T11:09:00.005+09:30

Ahh noelle, it's not just fledgling authors who feel the dents of editorial comment. I am about to receive edits from my publishers and am getting myself prepared for the sting (as much as you can). "Don't they get it! How dare they say that! But I love that part!" might be among the thoughts you're having. I rant and rave and get all bothered and offended.

I find two things help with the post edit sting (actually three) a/ putting the edits down for a bit and mulling (or brooding -if you like) them over; b/ choosing the best "hills to die on" if you get my meaning - the happy medium between those things you are willing to change and those that must remain as they are, besides which, it is still your story, you do not have to make any of the changes an editor asks of you (though I would not recommend such action, a good editor will me you a better writer - I know that is true for me, God bless you Celia and Tim) c/ the healing balm of time.

Also, remind yourself that the editing stage is a team effort, AND the crucial first sharing with the beginnings of an ever widening audience. Though criticism is hard to bare, the excitement of the improved text gained through it is well worth all the struggle... well I think so, anyway.

My first drafts are L-U-M-P-Y, uneven, turgid and at times self-indulgent - folks don't have to be sad that they get edited down and words cut out; the words that are left are far better than those removed. Just for perspective I excised 25,000 words from the 1st draft of Lamplighter and oh how it improved. If anyone thought say that the journey from Winstermill to Wormstool dragged a bit in the final version of Lamplighter, just know that it went for a whole chapter longer in the 1st draft... even I thought is S-L-O-W when I came to read it over properly for myself. And now here in Book 3, Factotum, I have managed I think to prise 9,000 words (so far) out of the first 10 chapters and it is already a far better book.

So bring on the editing, I say, pain and all, a better book awaits (though ask me again in a week or so's time how I am feeling about it all...)

Alyosha, I really enjoyed your comment and though I have given cursory thought to engineers and masons and the like, I shall now think a little more particularly about such folks who tread the middle path between out and out adventure and staying safe behind walls. Concometrists come to mind a bit here, the measurers and the surveyors - but what of engineers? What should I call them...?

CBCA 2009 - or, Back at last!

2009-04-11T13:41:00.007+09:30

Sorry everyone for taking sooooooooo... long to post again, here I am at last!

Editing has me in its merciless grips; the first draft of Book 3 is far too long so cut cut cut, condense condense condense. One of my initial errors (which happened in Books 1 & 2 as well) is that I put in too much world detail - fascinating to me (and my mate Will) but not so great for a well flowing plot or more general reader interest. My second pass involves reducing this to something smoother and less thrombotic to read, some plot-extraneous matter being put into the back matter where it fits much better (thank you Lord for the Explicarium!) The balance for me is having enough detail to fully build in the experience of the Half-Continent whilst not over-indulging (well, too much anyway...)

To those who contend that MBT is self-indulgent and has too much world in it, I answer, what is the point of writing (not "righting" as I had carelessly had previously... you should see my drafts!!!) about a pretend world if it is only briefly touched upon and has no real impact on the story told? Having said that, I have still got to tell a good story - well, the best I can at least.

So, I suppose you could say, my contention has some merit for I learnt recently that Monster-Blood Tattoo Book 2, Lamplighter has made it into the 2009 CBCA Awards Book of the Year shortlist for Older Readers. Very very chuffed that it has been recognised in the same award that honoured Foundling two years ago. Brilliant!

The complete list is as follows:

EATON, Anthony Into White Silence
FRENCH, Jackie A Rose for the Anzac Boys
MARCHETTA, Melina Finnikin of the Rock
MOLONEY, James Kill the Possum
TAN, Shaun Tales from Outer Suburbia
CORNISH, D. M. Monster Blood Tattoo Book Two: Lamplighter
(Check me out with my egocentrically loooonnngggg book title... ;)

Brilliant for us all and all the Notable Books with us.

NSW Premier's Literary Awards 2009 Shortlist.

2009-03-28T10:45:00.000+10:30

Delighted to be able to say that MBT 2, Lamplighter has been shortlisted in the 2009 NSW (meaning New South Wales for the uninitiated) Premier's Literary Award's The Ethel Turner Prize for a work of fiction, non-fiction or poetry written for young people of secondary school level. The list of us all goes a little like this:

Dianne Bates - Crossing the Line
Michelle Cooper - A Brief History of Montmaray
D.M Cornish - Monster Blood Tattoo Book Two: Lamplighter
Alison Goodman - The Two Pearls of Wisdom
Nette Hilton - Sprite Downberry
Joanne Horrniman - My Candlelight Novel

I feel like a bit of an upstart occupying a list with such luminaries. VERY VERY gratified to be recognised in one the countries big awards, thank you so much to those that put me there. With all this good news I just might explode with joy... if, of course, my stupid character flaws would just stop getting in the way and spoiling the glee...

For all the shortlistings for the entire gamut of the NSW Premier's Awards for this year go here!

That Initial Story... or How Monster-Blood Tattoo came to be.

2009-03-23T17:53:00.007+10:30

'Bout time I posted don't we think!

E N Reinmuth was pondering... "If memory serves me right it was your interview on either the Today show or Mornings with David and Kim that got me out searching for MBT-Foundling, (technically I saw the gudgeon design before Lamplighter was even published, whoot!) and you said that you had gone to a publisher for a different story, and upon leaving you had dropped your notebook which held details of the world of the HC, and in turn the publisher asked you to write as many words a week, etc etc, leading to Foundling. Might I ask what that initial story was?"

Yes you may! It goes a little like this...

'Tis a long story I shall attempt to make short. I trained back in the early 1990's as an illustrator in Adelaide, South Australia. In 1995 I moved to Sydney to pursue illustration work with magazines, newspapers and advertisers. In 1997 I began as a cartoonist at Burgo's Catchphrase working there and as a freelance illustrator until I followed adventure overseas to the US in 2003, before crash landing back in Adelaide again.

Looking for illustration work, I went to a local publisher - Omnibus Books, an imprint of Scholastic Australia - on the recommendation of a fellow illustrator friend, Cheryl Johns. At Omnibus, the publisher, Dyan Blacklock, gave me a cover to complete, then a whole picture book (Grannysaurus Rex written by Tony Wilson, which is that "different story" I mentioned).

I used to sit in her office and talk about life the universe and everything and one day one of my many small black notebooks fell out of my bag as I reached for some gum. The book had the number "23" boldly on its cover and snatching it up, Dyan immediately began to peer within, wondering (she later told me) where the previous 22 notebooks were. Inside she found my crabbed notes about a pretend world I had been scribbling about since about 1993 (hence the then 23 and now 32 - almost 33 - notebooks). Dyan tells it that she felt the hairs on her neck raise; she asked me if I had written any stories about this pretend world.

I said, "No."

She returned, "Do you have any characters from this world?"

To this I responded "Yes," and began to list some off, including Rossamund, a boy with a girl's name.

Dyan thought he sounded interesting and persisted, "Put him down somewhere in the Half-Continent and tell us what happens."

So I did... and here we are.

Nebula Awards(R) 2009

2009-03-04T17:25:00.004+10:30

Very very delighted to tell that Monster-Blood Tattoo 2, Lamplighter has been shortlisted in the Andre Norton Award (the YA section) of the 2009 Nebula Awards. Given that some of my favourite authors have been past recipients (Frank Herbert, Ursula K. Le Guin, Orson Scott Card) amongst many of other lights of spec fic (Philip K. Dick, Arthur C. Clarke, Isaac Asimov, Gene Wolfe, &c &c &c... including last years Andre Norton winner, Ms Rowling herself) I am most utterly astonished, gratified and thrilled.

It is my pleasure to also boast that Lamplighter was included on Locus Magazine's 2008 Recommended Reading List (as released last month), so happiness all round.

I shall stop showing away (again...) and get back to editing.

(Book 3 better be good, dang it! my fears cry)

Factotum 1st Draft is DONE!

2009-02-25T12:28:00.008+10:30

Yes, just as the title says, it is true, finally (*rolls eyes*) filled with self-doubt and trepidation, I am finished climbing the mountain. Factotum MBT Book3 1st Draft is complete! Now all that is left is to climb all the way down the other side.

Now for some celebratory answers!

Sylvenger was wondering ... 'in the video from Youtube for Lamplighter, it pronounces Europe's name exactly like the continent "YUR-up". I don't know, when I read the books I just thought it would be pronounced with a little more sophistication, like "yoo-ROE-puh".'

Actually, when used ordinarily it is said "YOO-rup", though for more formal situations you will find it written Europa and said "yoo-ROE-puh".

Ben Bryddia was wondering "... how nearly the present editions of Books 1 and 2 match their original drafts. In hindsight, would you have written them very differently?"

The final volumes you all have read bear marked differences from the very first drafts, pace, detail, the fleshing out of a situation to enrich events and characters, the reduction or moving of detail to the Explicarium, the tightening of my language, refining refining refining have been the usual process for making a final draft of both of the previous two MBTs. Friends how have had the dubious 'honour' of reading the first and final drafts inevitably comment on the general air of tightness and little improvements throughout the final text. I am looking forward to the process of improvement for Factotum upon whose threshold I now stand.

We are getting there folks; thank you all for sticking in there with me and for you most excellent minds and your support.

Errata

2009-02-20T15:27:00.008+10:30

I would just like to take this opportunity to correct the doggerel that Rossamund recalls of Swill early in Lamplighter. I got the metre all out o' whack and would like to offer to you a slightly improved version (and so let you in on my restless and constant polishing of the H-c)

Honorius Ludius Grotius Swill
Will saw off your limbs, but eschews the pill;
For coughs he takes fingers, a sneeze he'll take toes,
But fevers will cost you your ears and your nose.

So no its syllable count for each line is 11, 10, 11, 11 whereas before it was 11, 9, 12,11 - which does not sound like much but I like the rhythm in the more even structure of the new version better - sounds more lilting in my head.

If at this point you think I a little nuts, you just might be right...

To answer a couple o' questions:

Yes Jenny M, MBT will be a trilogy but I truly intend and hope to bring you other tales from the Half-Continent over the years in what, Lord willing, will be a long term relationship between me and you all, an ongoing expounding of this pretend place through story and reference, a picture book (cheers Differlot) maybe film, and what ever else can express it best. What the next book after Factotum will be, I can as yet not really say... I do have ideas though.

Kathryn I will be showing the little man's face in Book 3.

And right now Portals I am just about to finish the 1st draft of Book 3 (such as it is), and for most f this year shall be editing it (several times), drawing character illos, writing the Explicarium for Book 3 (which may need to be shorter to make room for the story), complete the cover for the US edition and tweak the ANZ cover, attend various public events, finish off the map for Book 3, finalise the Appendices for Book 3, make all necessary corrections to all of the above... And in the period between handing everything up and it going to the printers I will be taking a great big breath.

European Refinement.

2009-02-10T17:29:00.006+10:30

This is an updated, slightly more "polished" design version of a previous rough for Europe's final harness in Book 3.

That's all...

A Quick Break & An Idea.

2009-02-04T10:37:00.009+10:30

You might be wondering what the new poll asking about a Choose-Your-Own-Adventure [TM] style story is all for. Well, I was reckoning that when Book 3 1st draft and maybe edit passes are finally done we could embark on a project together where I write an entry upon a certain Half-Continent character, list a poll of options for their next action, give you a week or two or three to choose which way next, write that, give you more options to choose for the next bit and so on (am I making sense?) and maybe build story together. So I have put up a poll to start and we shall go from there.

Thoughts anyone?

To add a little spice to the entry I am also including some sneak peak appendices proposed for Book 3 (though constraints of book length might mean some do not make it in... we shall see) Until then, I hope you enjoy these.

If you find any errors (such as the one for "parry" on the sabrine adept image) don't fret, these have yet to go under an editor's scrupulous eye.

And the Winner is...

2009-01-29T11:25:00.013+10:30

Just back from Brisneyland (being Brisbane for the uninitiated) having attended the Aurealis Awards night where, if you'll recall, Lamplighter was shortlisted in the Best Young Adult Novel category. Alas alak, I have to content myself with the shortlisting for I can reveal to you all now that Melina Marchetta's (of On the Jellicoe Road and Looking for Alibrandi fame) first foray into the spec fic world, Finnikin of the Rock (Penguin/Viking) took the honours.

Congrats to her - I'd be lying if I did not admit I was a tad bummed, but I got over myself and and very happy to have Lamplighter on a shortlist.

The other winners of the 2008 Aurealis Awards by category were:

best science fiction novel
K A Bedford, Time Machines Repaired While-U-Wait
(Edge Science Fiction and Fantasy Publishing)

best science fiction short story
Simon Brown, ‘The Empire’, Dreaming Again
(Harper/Voyager)

best fantasy novel
Alison Goodman, The Two Pearls of Wisdom
(Harper Collins)

best fantasy short story
Cat Sparks, ‘Sammarynda Deep’, Paper Cities
(Senses 5 Press)

best horror novel
John Harwood, The Seance, Jonathan Cape
(Random House Australia)

best horror short story
Kirstyn McDermott, ‘Painlessness’, Greatest Uncommon Denominator (GUD), #2

best anthology
Jonathan Strahan (editor), The Starry Rift
(Viking Children's Books)

best collection
Sean Williams & Russell B Farr (editor), Magic Dirt: The Best of Sean Williams
(Ticonderoga Publications)

best illustrated book/graphic novel
Shaun Tan, Tales From Outer Suburbia
(Allen & Unwin)

best young adult short story
Trent Jamieson, ‘Cracks’, Shiny, #2

best children’s novel
Emily Rodda, The Wizard of Rondo
(Omnibus Books)

best children’s illustrated work/picture book
Richard Harland & Laura Peterson (illustrator), Escape!, Under Siege, Race to the Ruins, The Heavy Crown, of The Wolf Kingdom series
(Omnibus Books)

Peter McNamara Convener's Award for Excellence
Jack Dann

Well done to everyone (with an especial cheerio to Sean Williams, Richard Harland, Laura Peterson, Shaun Tan and Omnibus!) and thank you to the organisers for a great event.

And just to turn all the attention back to MBT for a moment, the paperback of the English language editions of Lamplighter will be released this year in May, which is something to loo forward to.

Answer time!

Probing questions from Differlot:
"[Do you] know what planet is the half continent?"

The world of the Half-Continent is called the Harthe Alle (at least by some) or the Alt Gird (though not so often). Tungolitrists (what we would call astronomers) name it Deuter Diana or just Deuter. Of course other races have other names, but these three will do for now.

"I wonder what Europe does in her free time, hmmm?"

Europe would not admit to having such a thing as we would call "free time" - her oppinion on the matter would be to use time as usefully as possible; "sitting about only makes for darkened and uselessly bedizzened thoughts," is how she would put it, I reckon.

"What happens if a wit or fulgar gets turned into a monster do the monsters learn how to use the artificial organs, or since they have been put in maybe they are dead and the monster only posses natural parts since it probably wont be able to take treacle till found by somebody. They might just die from not having any."

Now here's a question I'd not considered! Monsters would not ever become lahzars, and since the whole system of treacles and surgeons is a totally human system, so you are right, even if a monster could become lahzarine, they would die from lack of treacle and such things.

Also, for those of a praying persuasion, I would very much appreciate your prayers as I struggle to get the final two chapters of Book 3. Typically I tend to have a vision of what a scene will look and feel like, a sketch - if you like - in my head, from which I spring forward to actually explore and fill out with words. Right now, however, my soul is being very reluctant to cough up a clear view of the end.

Who'd be a writer, hey?

Time to get European.

2009-01-23T16:04:00.009+10:30

Today being the last day before I trip off to Brisbane to attend the Aurealis Awards I though I would share a bit more of y process with you (how the two are related I do not know, but it makes for a beginning to a post, so I am running with it).

What I have for show and tell today are a couple conceptual sketches completed for Book 3, done to help me get a better "eye" for what Europe is wearing at certain occasions in the story. The first is for a more formal and fancy event.

This second sketch is me trying to get a handle on colour and style for a set of new-made harness for fighting in. Spotting that clipping from the fashion section of the local paper helped me greatly in fixing down the nature of the cloth which I had previously designated as read on the sleeves and blue-grey on the apron. I like the green with red florals much better, though the flowers on the cloth used for the harness would not look or be placed in quite so modern a manner.

Just goes to show how rough my sketches can be, but there purpose is ideation not polished illustration. I heartily recommend little sketches to help with "seeing" your writing.

If you are seeking even more European costuming goodness head over to Monster Blood Cult to see what Erin Montemurro is doing (really, go check it out, 'tis remarkable!)

An enormous grateful tip of the hat to Mr. Bennett Lovett-Graff (aka Polymath Paradise) for his thorough and heartily uplifting insights into MBT Books 1 & 2. For such as you and all the goodly folks here do I strive - such responses are the endeavour rewarded.

Here's a question for you: should I or should I not get a spot on Facebook?

Cybils Fantasy/SciFi Shortlist 2008

2009-01-13T08:19:00.014+10:30

Well, it is near two weeks since the peep of the year and have you heard anything from me..?!

I am very chuffed to break silence (as it were), do as others have done and post up a shortlist from the up and coming Cybils Awards in my own chosen genre, Fantasy & Science Fiction:

Cabinet of Wonders written by Marie Rutkoski, Macmillan
Graveyard Book written by Neil Gaiman, HarperCollins
Magic Thief written by Sarah Prineas, HarperCollins
Savvy written by Ingrid Law, Penguin USA
Airman written by Eoin Colfer, Hyperion
Curse Dark as Gold written by Elizabeth C. Bunce, Scholastic
Explosionist written by Jenny Davidson, HarperCollins
Graceling written by Kristin Cashore, Harcourt
Hunger Games, The written by Suzanne Collins, Scholastic
Wake written by Lisa McMann, Simon & Schuster

... and (*drum roll*)

Lamplighter written by some weird fellow surrounded by notebooks in a darkened room, Penguin USA.

A true and dare I admit astonishing honour - (watch for my over-use of this word in Book 3... :( - to be included amongst such lights. Congrats to us all, to the judges for hour upon hour of reading to get to this list, to anyone who dares attempt to write a book - shortlisted, awarded or otherwise - and to you most excellent folk who read! Thank you R.J. Anderson for pointing my shortlisting out to me; thank you Laini Taylor-Di Bartolo for you great summary and to you all for your continuing support.

Only a couple of weeks away from the 2008 Aurealis Awards too.

My head is so swollen at the moment I am having trouble fitting through doors and cannot drive my car. Of course, ego takes a big hit when confronted by the daily struggle with the English language, which often feels a lot like...

English language & Plot not doing what it ought to: 1 - D.M.Cornish: nil.

Never-the-less, we are getting there folks!

Klesita (welcome to you!) was asking... "Is it true that Jim Henson Co has the rights of the series? Do you still retain some kind of rights over the script that will allow you some control over the final product? It would be a shame if the movie trashes this beautiful/fearful/incredible world and its inhabitants..."

Yes, the Henson company does indeed have the rights to MBT; no, I think they have to right to make the story what they want it to be, and if I get any say in how it turns out it will be purely on the condescension of the director etc. I too am nervous of what the final product my morph into; I reckon at this very moment the Henson Company are probably nervous how I actually end the story (and me along with them) - so nerves all round.

Ben Bryddia ponders... "Do they have land mines in the Haacobin Empire? You know, big ceramic or porcelain spheres full of mordants, just waiting for some hulking unterman to step on, and crack open? Which makes me wonder, are there any poisonous potives of the gas variety?"

Not in the way we have landmines, no. More like buried or hidden bombs with long fuses, and with or without potives. There are devices known as belchpots (amongst other names): large cauldron-shaped pots of cheap iron or clay with a metal base plate and filled with black powder (sometimes called cannon char) and lots and lots of langridge (or langrage, read: shrapnel). These pots are then buried into the soil, their mouths pointed in the desired direction of the blast, and when needed are set off with a long fuse. Variable and messy, but very cheap and relatively simple to produce.

Most repellents and the like work on a rapid expansion in air principle, so it that sense much of a skold/legermain's arsenal is somewhat gaseous, if not to start with, certainly once "deployed". There are a few pure gas potives, but they are rare due to difficulties of storage (usually in a tightly stitched animal bladder of some variety).

Breakfast today: Apricot Fruity Bix

(Was intended to be the...) Bumper Final Issue (for the year that is...)

2008-12-31T10:22:00.020+10:30

Well, 2008 has come and nigh gone again (indeed, it is gone!) and all the while I have been wrestling through some book I am supposed to write *rolls eyes* ;P The previous two books of the Monster-Blood Tattoo series so far has been a distinct journey and this third is now different - as another author once said you never learn how to write your next book, just the one you are currently working on.

How true that is. Book 3 - the infamously long-to-wait-for Factotum - has been a process all its own, with its own momentum, its own surprises. It is frightening and wonderful to go out in the story on a hunch that it is the correct direction and have it rewarded with an unexpected unfolding of whole unforeseen and richer moments in the tale.

One of the hardest things has been facing the finish the text, fear fear fear; is this story good enough? Does it do what it needs to do? Will folks like it? The great thing is that now it is not even 18 months to release folks, so hang in there.

A recent high point was when Katie - a fellow metaphoric citizen of the Half-Continent - sent through images of a costume she has been working on. I won't tell you who it is of, 'cause you ought to know...

I could not help but ask Katie how it works as a functional piece of clothing to which she responded:

"As a functional piece of clothing, I'm not really sure. For me, it was fine, since I was at work and didn't have a huge range of movement,but for the actual characters, I'm not sure how it would stand up to the whirling fighting movements without the benefit of spandex/lycra.Though you can't see it, the sleeves do tie on like it's said in the book, so that wouldn't be an issue, but around the inseam, it might be a problem. The stomacher actually worked well, and stayed on fine with the ties. I have new respect for the seamstresses of the clave if they have to paint that diamond pattern, and even more if they have to quilt or sew them together."

My thoughts on that last statement are that the cloth comes dyed that way by request - still, it'd be a heck of a job for the dye house then and prodigiously expensive to boot. You can see the rest of the images of her astonishing creation and Katie's comments on them here! Thank you, Katie!

Next bit o' niceness (my how that word has change in meaning!) is this piece of superb well, I suppose you might call it "fan art" (somehow that does not seem to cut it with me) from our own curiousmouth - and again I shall leave you to figure who the two figures are...(c) Copyright Katie/ Spacetart 2008+9. Used with permission.

Thank you all so much for another excellent blogging year, you all make writing and creating better, "funner", a bit more real; I hope I might do the same for you sometimes.

New Year's Resolution: to get the Varificon up and running fully - there are too many genuinely excellent new words in there, I think a couple might make it in to Book 3. I am hoping it might become a corporate cooperative dictionary we can all dip into, so help yourselves peoples (with proper credit of course).

Welcome to 2009!

On with the new year!

Merry Thing!

2008-12-25T12:02:00.005+10:30

Merry Jesus-birthday!

Bless you one and all, may this be an excellent day for you - and congratulations on reaching over 80 comments!
(I knew you could do it... I certainly gave you a read hot go by taking so long to post)

And welcome back Anna from your African adventure - hope all went well.

Bumper issue post coming soon.

(Intentionally left blank)

2008-12-15T14:39:00.010+10:30

It is about time I answer Pearlius' question: "About how old is Europe? She looks either a very tired young woman or a good looking old woman."

I have always thought of the Branden Rose as about 29, as we currently know her, more in the line of a tired, world-weary young(ish) woman who has seen and done about as much as there is to see and do in the Half-Continent. I have to admit I think I overdid the careworn-ness of her portrait in Lamplighter, just a touch too haggard perhaps - ah well, live and learn.

Pearlius was also wondering: "...does Europe have any heroic, awesome scar that she can show off?"

I reckon she would have the scars, yes, but would be unlikely to show away with them... not her style I am thinking. (Perhaps if you asked nicely..?)

I have been over to the Monster-Blood Cult on FaceBook started by Patrick Brooks. I have not said hello yet (on account that I do not have a Bookface account :) but perhaps folks from our neck of the woods could engage in a little cross pollination (or something) between here and there.

Finally, we have a new poll... check it! (said with cool street voice) You may have to plunder the Explicarium of both books to refresh you memories - wow, that is almost like homework - what am I thinking!

Ompholascepsis [SPOILER WARNING]

2008-12-10T12:05:00.007+10:30

I tell you, the navel issue has been baking my noodle for a few years now, but I am of the notion that our hero would possess an ompholic dent that would pass enough as a navel. With the often more rudimentary delivery of babies in the Half-Continent I am thinking that there would be such a variety of quality of "belly-buttons" that Rossamünd's little dent would not look too out of place.

As to theroid (or therian or theraphim) for monster but teratologist for monster-hunter (thank you, master portals):

~ "thera" and "teratos" are both Attic words for monster, so it is simply the use of different root words that accounts for this variation. More-over, it is common in both Attic and the English language (and therefore Brandenard too) that "t" and "th"are exchanged with each other in the development of a word, especially "th" being shortened to "t".

How's that for some answers?

BTW, ompholascepsis means "navel-gazing".

Aurealis Awards 2008 Shortlist.

2008-12-08T13:44:00.011+10:30

Hello, hello, long time no post...

Here is some happy news to put up - I just learnt today that Monster-blood Tattoo 2, Lamplighter has been shortlisted in the 2008 Aurealis Awards in the Best Young Adult Long Fiction category AND to add to that the fantasy series, The Sorcerer’s Tower (being
Thorn Castle, Giant’s Lair, Black Crypt & Wizardry Crag) written by the eminent Ian Irvine and illustrated by yours truly, has also been shortlisted in the Best Children’s (8-12 years) Illustrated Work/Picture Book category.

Thank you very much the goodly folks and Aurealis! ... and to all of you too!

Terre des Monstres 2: Marque de Sang

2008-11-26T11:59:00.006+10:30

A hasty post to share the absolutely splendid rough for the proposed cover of the French edition of what we commonly know as MBT2 Lamplighter. Mr Lacombe you have made my day!

And I am liking the spontaneous character descriptions, too - will seek to do something with them in the new year I reckon...

WBBT!

2008-11-19T10:29:00.004+10:30

...& and here is the link to my Winter Blog Blast Tour interview at Finding Wonderland from yesterday. Thank you so much TadMack & Aquafortis for such excellent questions, they were a joy to answer.

Please make sure you check out all the other interviews this week past a present - so much authorly goodness... if I was not needing to get back to writing I'd say more on it. Only a short while left before I am handing the 1st draft in.

Twilight for HP... or 75 comments! Woohoo!

2008-11-17T18:52:00.011+10:30

My word, you folks sure got close to 80 comments. Impressive - but you are not a jedi yet... I certainly gave you enough time to have a red hot go, as "they" say. But alas, guilt has got the better of me and here I am posting after a bit too long not posting... um... I'm like, an excellent writer and stuff...

On with the show!

As much as the hype is off-putting, I am very glad the Twilight series has my niece reading; she would not look sideways at a book before. Now, who knows, she might venture out further into the realms of the written word and for that I can only be grateful.

The uber-series is an interesting creature - perhaps making reading cool again; I often marvel that without Master Potter's 7 tomes there would probably be no MBT, not through any influences (though I read a review today that suggested I was apparently employing the good ol' school-environment shtick a-la Harry P, to make Lamplighter work...) but because Ms Rowling has forged such ground that publishers are willing to give odd ideas like mine some listroom. For that I salute you, Ms Rowling!

For the funness of it all the Winter Blog Blast Tour begins! Organised by the tireless Chasing Ray, it is a veritable smorgasbord of author interviews. Mine own interview will be found on Tuesday 18th November (why else would I be telling you, right?) over at Finding Wonderland.

Oh, and shouts out to Portals whom I had the wonder of meeting in living flesh not last weekend but the one before, I hope it was not too underwhelming...

BTW the ever increasing vocabulary of the Varificon or "Word Varification Dictionary" is growing at an impressive and rather funny rate. Please, continued...

Freecon, Sydney Saturday November 8th & Sunday November 9th

2008-11-07T12:22:00.008+10:30

Nothing like last minute information but here goes...

People living in or near Sydney will find me if they dare to look in at this year's FreeCon 2008 Science Fiction Convention, both on Saturday 8th & Sunday 9th, at the Norman Selfe Room of the Sydney Mechanics School of the Arts (SMSA) building, 280 Pitt Street, good ol' Sydenytown. No charge for entry or any part of it, which is nice.

Here is their website for even more detail.

Sorry for the very late notice... I sure hope I see some of you there.
(especially you, Anna, because you live soooo close and all...)

A word by any other word.

2008-11-03T12:13:00.004+10:30

This week's word is:

calimere.

I have no idea what it means yet, just found it today as the word verification code to place my comment on the previous post. It could either have something to do with potives - maybe a piece of equipment; perhaps some type of swamp, or the name for a place... hmmm.

It is always a joy to find new things that grow the Half-Continent and once I have settled on new word and its meaning, or developed a concept further, though it might be freshly minted it always feels like it has ever been that way far back into time. Odd, huh?

'Tis The Season to be Chosing (for some anyway...)

2008-11-01T09:31:00.005+10:30

Here were are, November and even though I am an Ossee (to use the American pronunciation ;) and having once been a keen student of US history, I have one question burning in my mind:

Obama or McCain?

I wonder what Europe would be like as the ruler of a state? and I wonder what life in a place ruled by the Branden Rose might be like for Joe the Plumber...? Who would you like from the Half-Continent to rule your own land? (Just to keep things a little on topic - is it terrible of me to be so topical?)

Europe v 3.11

2008-10-22T10:17:00.011+10:30

me was wondering: "It's nice to see that there are upgrades, add-ons, plugins, etc [Europe v3.11, perhaps?]. in the half-continent. Are these upgrades limited to internal organs only? Are there pugnators out there who figure an extra eye/arm/thorny-bark-like-skin-in-sensitive-areas/claw/magic-big-toe in addition to their modified innards might improve their trade [and fees]?."

You have hit the nail on the head about the "upgrades", (actually called scirrhitus) I do have a list of rare but existing outwardly editions to a person's self - not so much extra limbs but claws (actylls), thorns on back (which might even shoot out of the person- I forget their name off the top of my head and am not sure they quite fit the H-c "vibe"), different kind of teeth for a bit o' combat biting - known as sagital (sharp) or trenchant (blunt) maws, toughened skin, weird snapping jaws a bit like Aliens TM (called labiachus - though I am not so sure about this one, either), foul spit, and some other stuff. I have been thinking this might be a bit more in the Half-Continents future rather than right now in Rossamünd's time (HIR 1601) - we shall have to wait and see.

Interestingly enough I was just talking to Will and Mandii last night about how the Europe of Book 2 and 3 is a v 2.01 fulgar - she went and had her organs checked after vaoriating (spasming) in Book 1 and while the transmogrifer is there having a gander, she has the funds to have him do some major improvements... She gets to "kick butt" (as they say...) in Book 3... or was that too much of a spoiler?!

edwarrd asked: "With the spoors, is it something that a lahzar has to have, or is it something they choose to have to promote what they are? Also, can they have variations of the spoors?"

Some lahzars will chose to hide their nature, yes, or not make it obvious and so go without spoors or have them places not easily spotted. Others like to mark themselves with more than the usual signs, so that faces and bodies will be patterned with all manner of markings. As with our world such spooring is considered a step into the wilder side of society.

Just adding a bit more to anna's enquiries about literary traditions, I wrote this recently to a friend: The longest standing literary tradition is plays and folk songs... (I am thinking epic poems of the Attics and Tutelarchs would be included in this too) Novels - as Threnody reads - are a more modern innovation and are yet to be seen as a "literary tradition" as such.

Advice for young players

2008-10-20T12:37:00.004+10:30

This weeks piece of folksy wisdom: do not stay up way past your bedtime, tap yourself a glass o' water when overtired, go to bed and have your wife/partner/flatmate wake up 3 hours later to find that said tap (faucet) has not been properly turned off and the kitchen bench, floor and draws are all swimming, then spend next hour+ ladling water out of draws that can not be removed and towel dry every stinking piece that dwelt in said drawers. If you can avoid this, I would recommend it.

Noelle asked: "Is it possible to be both a wit and fulgar? This just occurred to me and it's going to bother me."

Well Noelle be bothered no longer! It is indeed possible to be a wit and fulgar in one person - a super-lahzar, such maddened souls are generally called dexters and typically have short lives full of violence, pain and a whole lot of treacle-taking. Not recommended for any but "power players".

Anna asks: "By the way Mr Cornish, how is the culture-life in H-C? Authors, painters, genealogy ..?"

There surely are these things, I touch on such a little more in Book 3 - though Rossamünd not being overly cultural does not give me great play with such things. However a brief mention in the story does give me licence to go too far in the Explicarium, which is yet to be properly worked up. I tend to add brief entries as I write the main tale, points to be elaborated while the main text is in Celia's/Tim's most excellent hands.

Ah, Monday, you spotted my H.P! I feel like I have been caught with my petticoat showing ;)

Thank you all! for your encouragements last post, I clearly see you all know full well the personal insanity that is writing.

Going back to go forward...

2008-10-16T09:58:00.005+10:30

Something I find frustrating when I write is those times when I am keen to press on with the story but it occurs to me that one of the characters (usually Rossamünd, bless him) is not being quite true to himself in an earlier chapter. Sometimes I will try to write on, enjoying too much the sensation of the word count increasing and chapters being marked off (especially with the hot breath of deadlines panting on my nape).

Inevitably, however, I can avoid it no longer and must put the advance of the words on hold and correct the earlier discord, work the changes all through the text until I am satisfied - which can cost frustratingly large amounts of time. Yet once the agony is grappled the text invariably is far improved and my sense of direction stronger, and I leap off once more into 'storm front' of the tale with fresh vigour.

Sometimes I also just get stuck...

Map Prototype

2008-10-08T12:09:00.004+10:30

Just a quick heads-up that there is a prototype version of the Zoomable Map of the Half-Continent up and functioning. My esteemed comrade G.R. Morton and I shall be working to make it a tad more Halfcontinenty over the next x period, but I figured folks had waited long enough, so sneak preview away!

(oh, and if it seems to stay blury, just give the map some time and maybe a click and it should focus)

Ok, back to writing, writing, writing...

Words, Invented & Real

2008-10-02T11:55:00.007+09:30

A great little post I found over at Whatever by John Scalzi (and its original source @ xkcd - thank you Tom) regarding word length of a book as being conversely proportional to is unreadability. The comments are illuminating too, MBT even gets a mention from a Seattle-based bookseller friend of mine in comment #51. Have a read if you will and come on back...

In reading the aforementioned blog and its associated comments, I too had the guilts for insisting on such circumlocutions as pediteer instead of "infantry" or leonguile instead of "cheetah" etc etc etc... though I tell myself I have good reason to alter these: sometimes the existing word/s are too our-world specific in their etymology or too modern-sounding to be appropriate in the H-c. I do not know the origin of every word but those I do I change - language is key when making otherworldliness, the dilemma is knowing when to reinvent, how much to reinvent and when to just go with the real stuff... I certainly won't be re-doing the parts for a flintlock, for example, they are perfectly acceptable as they are, cheers.

I recall someone railing at me once for daring to have a type of fly called a wurtembottle - "why can't he just call it a fly!" she said - to which I reply:
a/ know just how many species and therefore different names for flies there are in the real world; without even reaching for a textbook let us just try to name a few: house fly, blow fly, bluebottle, vinegar fly, horse fly, bot fly...
&
b/ why the heck not!

I tell you, the thoughtlessly contrary fun-crushers get a tad tiring; like Ayn Rand says, those who can't create, destroy.

Quick Pointing to Other Place

2008-09-30T12:05:00.003+09:30

I should probably say more but if I spend too long Rossamünd will get eaten by a very large s.... ah but that would be telling.

Just quickly Jack is asking over at the Unofficial MBT Forum if folks want a Q&A section to it. Given that I do tend to miss a lot of questions here I certainly am all for it - would make it very clear what I had and had not responded too (I hope). So, please please, head on over and give us your thought - if you don't mind, that is.

Cheers.

A New Button to Push!

2008-09-26T13:59:00.004+09:30

Folks might notice my rather enthusiastic response to Jack so excellently putting up an Unofficial Forum in the form a snazzy link image to that very same place! Thank you very much, sir!/... I guess that answers the poll question then...

Plus: Carlita's expectoratingly insightful question: "If anything, happens if a leer catches a cold and still uses his sthenicon. And what would happen if a wit or a fulgar caught a cold? Would they just be miserable, or would their transplanted organs cause them trouble?"

Any of the H-c's more knowledgeable physicians would heartily recommend to any leer with a strong head cold to leave off using the sthenicon or olfactologue until the malady had passed. To ignore this advice can be both very messy (can you imagine a snotty sneeze inside a box), painful and will very likely extend the duration if not increase the severity of a cold. I guess that means, too, that hay fever suffers with dreams of leering best find themselves a new dream.

As to lahzars with colds, they suffer no more or less than everymen, though an exceptional fever might increase the risk of their mimeotes (inserted organs) vaoriating (spasming) - so again, a transmogrifier would suggest bed rest and avoidance of the use of one's potencies until better.

A Forum for Horses

2008-09-23T11:12:00.008+09:30

So, I am thinking I shall keep up with this blog (indeed, that was my hope and intention) - I very much look forward to a forum happening though (hint hint - am I allowed to do that...?) - probably a powerful benefit I see is having some kind of section where questions are asked of me so I can clearly see what I have and have not answered.

I am afraid to think of the number of questions that have gone unanswered here at Monster Blog Tattoo because I lose track of them in all the comments. Sorry to anyone who feels a bit snubbed by such an oversight, please, if you dare, ask again.

In light of this contrition I shall now attempt to answer a question.

Dear portals was axing a quekstion... "So far all the Haacobin Empire's armies seem to all be made up of foot soldiers and suchlike. from what I know about history, cavalry always seems to be a great asset to any army, so why does the Empire have none.Sorry if they do have some, but with the definition for the Armies of the Empire, the Battle of the Gates, and the different city states in the Explicarium, nothing was mentioned about cavalry."

An excellent inquiry. If you look in the Explicarium of Book 1, under the entry for equiteer you shall find the very reason why cavalries are so little used. The long and the short of it is many monsters find our equine friends rather toothsome making the fielding of a substantial force of cavalry a sure way to attract a monster or three right into the fray of battle. That is why horses go out shabraqued and covered in nullodour but this makes a large force of them even more expensive and high maintenance. In Book 3 (ie, Factotum) I introduce the concept of cabaline lands - regions tamed (cicurated) for so long that they are considered generally safe for horses. If battles occur in such regions you could well expect to see a greater use of equiteers, indeed, perhaps this is why the lords of the H-c like stouching with each other in their boutique wars, a chance to crack out the cavalry and give it a good run.

Oh, and there was an excellent article/interview over at the Galaxy Express about steam-punk, where good ol' MBT gets a wee plug - nice to have a home, though I still don't think I'm strictly true steam-punk (due largely to the absence of steam in the H-c)... but now I am being picky.

And for those a French-speaking persuasion I was gratified to find not one but two positive reviews of the French edition of MBT, Terre de Monstres ("GROUND OF THE MONSTERS") - if my understanding of the tongue of France is correct, though in correction to the first review: En fait, l'auteur a dessiné les illustrations internes.

For breakfast I had honied flakey things, Irish Breakfast tea and a good pray.

I nearly forgot the most shattering news of all! Today I shaved off my beard! Dun dun dunnnnnn....

New Post, New Poll

2008-09-19T18:15:00.004+09:30

So, to the question of a forum.

Do I? Don't I?

I shall be running a poll regarding this for the rest of the year. Just so folks know I will be unlikely to be able both blog and moderate a forum, and given the choice I would rather stay with the blogging (I wonder if I will have to eat my hat with that statement later...?) So if a forum did go up it would most likely be moderated by another party, with me appearing a little less frequently.

Looking forward to people's answers.

(And I blame MooseGuy for this... ;)

Did someone say 'Release Date'?

2008-09-12T11:15:00.016+09:30

Should I tell you..?

Do you really want to know?

...Want to know just how long you will have to wait?

Well... Monster-Blood Tattoo Book 3: Factotum (English language editions) will be released ~

MAY 2010

Please don't be too dismayed or beat up on me; it is a bit of a wait yes, but it will be worth it... he says in faith... =/

In the meantime I found this very cool bit of "fan art" - if I may call it that - by a young soul by the name of ponkkaa. I hope they do not mind me send folks their way.

Also there is the wonderful work of our very own E.N.Reinmuth - both MBT and non; I dig you work very much ma'am! - and yes, I shall attempt to put up just how a vialimn works some day soon (certainly between now and the release of Book 3).

Anyone else got a bit of MBT related (or not) stuff they want to show off?

Last but not least, a new poll, in an oblique response to portal's excellent question. (please be seeing the text to the right)

The Handsome Grackle ... or, Spring is sprung and I missed it!

2008-09-08T12:15:00.014+09:30

(Following to be read with some strange accent in mind - I have no idea why, just cause...)
Please being 'Hello!' to my good friend, the Handsome Grackle.
(Cease with accent, please.)

He is what is called nadderer - a sea-nicker, a water-dwelling monster - with neither head nor tail, but both at once, being able to walk on either end when he/she/it ventures on land. A very very robust creature, it recovers quickly from hurts, so much so that he has been swallowed more than once by much larger sea-beasts, travelled the length of their alimentary canals before being "poo-ed" (if I may use that word...) out again, relatively unharmed to get about his/her/its business. Oh what fun...

There have been many excellent questions put to me here over the last couple of posts. Unfortunately I do not have time right now to address many of them - but I hope a couple of answers might suffice for the mo...?

Portals was wondering, "I have questions about lahzars' weapons. Is a fulgar's fuse used as a kind of spear, or more like a lightsaber from Star Wars? Do wits have any kind of weapon that they use? Thanks"

A fuse is used more as a quarterstaff than anything else, a way to extend reach (though with a the wire wrapped about a pole of cane or wood I am actually not so sure a magnetic field would occur as has been suggested elsewhere - sorry whoever posted, I thought the wire needed to be coiled about metal to achieve this - but please correct me if I am wrong, physics at high school was my weakness).

Wits would generally see it as being beneath them to resort to weapons, the control and manipulation of frission is everything to them. Saying that a pure wit would probably look down on a bane, and in turn a bane would probably see a purist wit as lacking versatility.

Another question was regarding the status of the Gottlands, which are in fact not a part of the Haacobin Empire but an empire to itself - a hegemony of kingdoms, duchies and the like allied and treatied to the Sigismundian dynasty that currently rules the Gottskylds. They are protected from the Haacobins by the great big threwdish swamp of the Ichormeer, though battles have been fought between the two giants, with little gain for either side. The Haacobins regard the Sigismunds with sullen respect.

I shall get to the problem of lamps as soon as I might, honest - time is really crimping me now...

A post at last! (Would you believe it?)

2008-08-18T12:18:00.007+09:30

So much commenting goodness with the last post! I was going to respond there but thought maybe it might work just as well here... (given I am feeling a tad stuck with post ideas right now because a certain 3rd book has most of my attention).

Amongst all the excellent ideas batted forth and back I wanted to answer two things:

Firstly, to fulgars using swords: well, the idea is feasible - it has certainly crossed my addled thoughts (especially the reverse, ie. the dangers of using a metal weapon against a fulgar). The conclusion I am running with is that most fulgars would regard to use of a sword as some kind of admission of weakness - that their ability with their eclatics is not quite up to rigours of the stouche. It also strikes me that the more sword using pugnators (sagaars, sabrine adepts) might look a little darkly on such a practice - a kind of "demarcation dispute", that's our technique! Get your own! - and in return a fulgar would never stoop to admitting that another profession's technique might be worthy of use... Note that I say most, not all... I am trying not to be painful, but, you know, I have been thinking about how the H-C works for a little while now...

As to wire-swords (barbed or otherwise) well there is a concept though aforementioned demarcation would still be a problem here, and as far as "charged" bullets go, well the nature of electricity is that once the source of the current is no longer present then there is no current = once the ball had left the firelock it would no longer be charged (am I being annoying yet?) Having said that, it certainly is a snazzy idea, though I reckon you've got to allow pistoleers and scourges and the like their own specialty.

This leads rather niftily into my second topic of choice, technicality v fastasticality (is that even a word?). Some rules from our own world are fun to break (we cannot even do with all our technology what the transmogrifers do with lahzars or the masacaars with gudgeons), others I like to adhere to (certain laws of physics, for example). What I think makes for good ideation is not the consistency with our own world but the internal consistency of all the ideas together. Unfortunately I am no genius so I live in a fairly continuous concern that I am not being as internally consistent as I could be with the H-c - but I do try. Probably my main guiding factor is feel - does this idea feel like it could work? Does if feel right? Does it fit the feel of the H-c overall?

Part of that feel is the sense (I hope) of plausibility within the construct of the H-c itself. After years and years of laying down layers on layer of ideas I have begun to develop a kind of "box" of rules, a space - a vibe - in which it becomes easier to fashion ideas that fit well within the whole. This I reckon is the best thing to aim for (if world building is your thing of course) to take your time and let your ideas collect and meld and create their own distinct feel that is your own.

FREE RICE - A worthy undertaking, surely.

2008-08-07T13:28:00.007+09:30

Here is something worthy that Will has brought to my attention: Free Rice - a vocabulary guessing game where every word you get correct has the organisers donating 20 - yes 20! - grains of rice to the hungry and disadvantaged. Better still I suppose, is to help folks fend for themselves but they still need to eat in the meantime.

20 rice grains does not sound like much but it all adds up if you get into it, I found the challenge to my vocab very stimulating indeed and they give you a VOCAB LEVEL (a stat!) which for old role players who like numerical levels like me is a great incentive to keep getting words right (as if helping others was not...)

Does anyone here dare post up their best Vocab Level?

I hope folks can forgive me for going off topic in this way... and cheers very much to you all for the very stimulating discussions regarding the social status of teratologists.

Poor, Down-trodden Teratologists

2008-07-29T11:45:00.004+09:30

Taylor - by email - asked this recently:

"I have a question that has been rankling at me for a bit as I've become immersed in Monster Blood Tattoo, and it is this: In a world as monster-ridden and monster-phobic as the Half-Continent, why do people tend to have a negative view of lazhars, skolds, scourges, and any kinds of terotologists? I realize people might be a bit afraid of them due to their powers, but, for example, why does Felicitine refuse to allow Europe to stay at the Harefoot Dig? Or why, when Europe comes to see Rossamund at Winstermill, do most people "habitually disapprove of her trade"? It always seems that people are disdainful of those who have altered themselves for the protection of the Half-Continent, and in a land where showing the slightest bit of sympathy for monsters gets a person exiled or worse, this seems a bit narrow-minded of the population. What do you think?"

To which I responded:

I think you have hit the nail firmly on the head - people are inconsistent, and no less so in the Half-Continent. I found this very tension an excellent vehicle to quietly explore this inconsistency, which is essentially: people do not want the problem but neither are they happy about the solution.

What-is-more, while we certainly have Madam Felicitine being snobbish, Master Billetus is not; Madam Oubliette has established an entire wayhouse for the patronage and support of the teratologist (albeit because they are generally not wanted in the towns). There I go again: Why are they not wanted in the towns when they do such a service? Teratologists with their much-needed yet dangerous powers are seen as the "necessary evil", like a rat catcher or a garbage collector. They kill the monsters but have to have contact with them in order to do so, placing them in a kind of half-way status.

Skolds will receive the best reception (indeed in some parts of the H-c they are truly revered), then pistolleers, laggards, lurksmen, peltrymen, tractors - your more unaltered types; followed by scourges (who, while appreciated for their efforts are mistrusted for the deadly power of their chemistry and that they look so odd wrapped so completely in their fascins) and then falsemen (no one likes to think that the person they are talking to knows what they are thinking).

Of lahzars, the disapproval goes much deeper, for there continues a rigourous debate as to what exactly they are - some hold that through the surgeries they have become a kind of gudgeon - and no one likes gudgeons - something other, whose capacities make them hard to control, place them outside the existing caste system, therefore upsetting the status quo, and very few in the H-c appreciate this (especially those of the higher situations, or with aspirations of social climbing).

So what we find in the Half-Continent is a lot of ignorance riddled with rumour; add to this "classists" snobbery - like Felicitine with her airs and graces - and the fact that a large proportion of the population are naivines (ie: never seen a monster) - and I reckon such inconsistency is valid (and a bit fun too - for me at least).

And never fear, there are those who are indeed fans of the lahzars - the obsequines, some of whom you might meet in Book 3.

Thank you Taylor!

... to this I might add (more in response to the query from Ben Bryddia) that the strange status lahzars have - the position of needful and powerful outsider - is an excellent mechanism for women to improve their lot in the commonly more patriarchal H-c / Haacobin society; hence there being a greater proportion of girl-lahzars. Never-the-less there are still plenty of boy ones too (the black-eyed wit, the Boanerges, the Knave of Diamonds - all in Book 2), it is just that they have not become the focus of my tale yet.

A question to the lady readers (if I may): how would you feel about changing your eyes by becoming a leer?

Breakfast = Vita Brits [TM] with Milo [TM] sprinkled on it and a cup of free-trade tea.

Monster-Blood Tattoo & YouTube

2008-07-24T10:02:00.006+09:30

Well, it has finally happened - a YouTube [TM] book trailer of MBT!

Made by the skillfully deft and technically versatile Courtney Wood over at Putnam (my US publisher). (A bit of trivia about Courtney; she set up this blog in the first place for me to go on with - if you go right back to the beginning of it all you will find a test post from her...)

I must say it is rather odd to see MBT out there in "That's what they - those other people do" computer land.

Also: for an extra bit of linkage fun here is a post about the panel I joined at the Sydney Writers' Fest. a couple of months ago, written by the most excellent Judith Ridge.

Monsters & Music

2008-07-14T10:24:00.004+09:30

Do you know (in response to a couple of posits last post on the titular notion above), my firsts thoughts about the monsters is that musically they are largely quiet. They sing softly to themselves, to Providence, in sympathy with the cosmos, in sorrow; perhaps some of the more feral might gather together to spontaneously hoot and jabber at Phoebe, while others might chortle off some rhyme or ditty they heard once when secretly watching children at play or people at a dance or stalking some unwary band of happy, vigil-day picnickers.

Monsters' own music will be impromptu, vocal, rolling, raw yet often oddly complex, wild and disconcertingly alien unless informed by everyman tunes previously encountered.

My sense of it is that the making of structured musics is the domain of everymen, based on the notion - the historied order of things - that monsters make life, everymen make things.

IMHO.

Europe and Sebastipole fall in love?

2008-07-10T10:37:00.006+09:30

Well, that was a (tongue in cheek) offering last post. Could it be possible? Would it be probable? If ever they married I would expect Sebastipole to get eaten at the end of the wedding night like some poor male praying mantis.

Monday had a question (similar to one I received via email from Nick Nitsch of Nashville):

"What kinds of music are most prevalent on the h-c?"

Such a topic is indeed not distracting but fundamental to my conception of the H-c - there is a beautiful piece by Strauss (the younger I think) Invitation to a Dance which though actually truly too new, has been an abiding inspiration to me. Monday rightly deduces that there are regional and social differences, but in the main when I think music for the Half-Continent I think late Baroque (as it is called in our world) and early Classical - Handel, Vivaldi, Bach, counterpoint and the private chamber ensembles merging with and developing into Boccherini, Mozart, Haydn - essentially what is sometimes called a Rococo style. (I have as yet to come up with the H-c names for some of these music styles - an interesting and I hope rewarding diversion!) This of course would be the more citified musics, out in the parishes it would more strident, the instruments more antiquated, the pieces more folk style or popular balladry. Hero of Clunes for example, in her tour of Sulk End and the Idlewild (as seen in MBT Book 1 & 2) would be doing a combination of popular shanty (albeit taking it to a more sophisticated and sonorous level) and high-brow choral numbers written by the current and more popular/fashionable composers (such as Stumphelhose of Witzingerod, Cappelluto of Seville, or Attic Nehme or Brandenbrass).

Oh, and as requested, for breakfast I had Vita Brits with sultanas and a cup of tea sweetened with honey.

Shouldn't I be Writing?

2008-07-07T13:01:00.008+09:30

Two possible thoughts for further Half-Continent stories:

- roving the vinegar seas hunting pirates and kraulschwimmen and any other tasks required in the Emperor's service = sea battles, vinegaroon life, wider politics;

- some kind of expedition (ala. King Solomon's Mines H. Rider Haggard - a most excellent book!) for lost and longed-for secrets in monstrous places = monsters, history, more monsters.

Should I be telling you all this?

Given certain revelations of admiration for a certain leer and lamplighters' agent, should he have a story of his own, too?

Maybe I should just get on with finishing Book 3 of MBT - enough with this presumptuous whimsical dayfancying! Back to ADWC (see previous post)...

Average Daily Word Count

2008-07-02T13:13:00.004+09:30

... or AWDC - as I have just cunningly coined it.

I am going to reveal this knowing full well there are many authors out there who do a goodly bit more in a day - and my publishers will be crying "Write faster, dang it!", yet since fellow word-wrestler R.J. Anderson has asked I shall dare to admit:

1000 words/day

*wince*

I have had brilliant days of 1500+ (even 2700 one day) but when all is averaged, time searching through all my notebooks for the right snippets of information and periods a.f.k. (away from keyboard) are included (including several trips interstate) it works out to the above.

If you want to go on the usual word count I achieve on the days I actually write it creeps up a little to about:

1300 words/day or so.

I feel a bit better about that.

I hope this helps Ms Anderson - how does it compare?

Dare I ask what ADWCs do you other writers achieve?

Still here...

2008-06-25T10:50:00.001+09:30

... writing... writing... writing... writing... writing...

Young Writer braves germ-warfare to offer a solution to my problem

2008-06-20T17:04:00.006+09:30

I was at the Young Writers' Night last night (with my ragging lurgy and all - doing my best for germ warfare by spreading it around). It is an event where authors sit with a group of 10 children or so from around the state (that being South Australia for all you out-of-towners) and listen to them read out their prose or poetry then give encouragement - I am not sure how much use I am to the brave souls who expose their souls through there writing so, I always feel like my comments are a tad thin.

Anyway, one of young lady wrote a fine piece about a magical quill that when the character picked it up amazing ideas filled their head and stories wrote themselves. I am thinking this would be an excellent solution to Sam Hranac's proposition, "Crank yourself up out of your deathbed and put quill to parchment." If it could just be that magical quill we'd be set.

So a shout out to all the children who took part last night, I am sorry if I gave you my cold... :(

Get out your violins...

2008-06-18T20:23:00.002+09:30

Just letting you all know that I am still here folks... I have a bad head cold, am madly writing and trying not to feel sorry for myself. As femina recently admitted, I cannot decide whether to wear my cranky pants or my grumpy trousers.

I hope you all are doing well, though - sunshine and cheer will return soon enough, Lord willing.

Anyone else out there got the dreaded lurgy?

L'édition en Français

2008-06-12T10:07:00.006+09:30

I very excited - nay! I am le plus merveilleusement excité!! - to see a sneak preview of the French cover of Foundling over at Monsieur Benjamin Lacombe's excellent site (English translation version here).

As you will see, Mr Lacombe has illustrated so much more than just a gorgeously maudlin Rossamünd, but Europe, Licurius (ahhh, old Boxface!) and a rather serious looking chap who I cannot decide is Sebastipole or Gosling (apologies Benjamin - I am not very bright but I can lift heavy things...)

As if i was not before I now am trés, trés! excited about getting my copy of the French edition now - from Mr Lacombe's comments it is a very beautifully produced edition indeed!

Merci, Monsiuer Lacombe! Merci, Milan! (my French publisher)

Hippo Birdy Two Ewes!

2008-06-09T12:52:00.005+09:30

Today in the Queen's Birthday Holiday and I would like to say Happy Birthday! to our dear Queen, bless her and the fact we get a day off here Oz.

On a lighter note ;) I found this review thingy over at OF Blog of the Fallen the other day and just wanted to share because I so love it when a fellow soul is on the same wavelength - don't we all...

Oh, and I am as yet to have breakfast.

The day after...

2008-06-04T14:43:00.006+09:30

So the Official Launch [TM] happened last night, and I believe it went rather well - public appearances are difficult things but deeply rewarding at the same time (which is a tad frustrating when all you want to do his hide away and write... or procrastinate). I was very gratified (happy in fact - even delighted) to meet MadBomber - one of "the gang" here at Monster Blog Tattoo (if I may use that term), a fine fellow - thank you for making yourself known Mr Bomber, a face to the name and better sense of the goodly soul you have already shown yourself to be here at MBT.

Thank you to all who could be there at the short notice I ended up giving you.

Looking back to the Sydney Writers' Festival I must say what an excellent thing it was to be on the panel with David Kowalski, Stuart Mayne and Judith Ridge and wax as clever as we knew how on genre and truth and editing and all that. Thank you to the three of you for an excellent evening. A shout out too to everyone I talked with afterwards, including Jeremy Gordon - fellow writer/illustrator/dreamer - with whom I had a good though too brief chat afterwards about possibilities and keeping true. He has put something of the night up here - including an odd little image of me, for those of you who want to spoil the visions you might have of the "dashing young author" ;)

Another part of the Syd. Writs'. Fest. 2008 was a couple of workshops with students where we tried our hand together at world building. I would ask folks for a few of their favourite things and from that we began to build our own distinct world settings. What was astounding is just how different the ideas and directions each group took - I had a great time and I hope the others there did too!

So joy and thankfulness all round.