Sunday, March 11, 2012

Well, how are the dice making projects coming along?


Well, how are the dice making projects coming along? Better than my blogging frequency, I hope :)

Once again it is well overdue for me to post.

Exciting news (I hope) is that I am working on two books at the moment: one an edit/rewrite of The Corsers' Hinge to (again, I hope) be released as a stand alone novella, complete with maps, illustrations, a brief explicarium and other appendical (not a real word) matter. Do people want to see this? If it happens it is more likely to come out first.

The second is a proper novel that the more I work on it, the more I feel might stretch out into the usual fat, multi-volume "epic" (for want of a better word) I found myself stumbling into with MBT. It will not (as I might have said before... or was that just in a dream...?) be about Rossamünd and Europe this time around, but I hope you are going to really like the new fellow in the spot light (as it were) - he really takes up where dear little Rosey left off.

This is all what I would like but it is yet to be accepted/approved/green lit/let come into exiatence so prayers/good wishes/positive quantum flow all appreciated.

This does not mean I have abandoned the Branden Rose or her little man, just that I am trying out the Half-Continent from a different point of view. This is actually a significant element of the overall thesis of the Half-Continent: that it came well before I had any concept of specific characters and contains stories from many different points of view yet they are all interconnected - not so much sequel spin-offs but distinct folk who overlap in what I hope are conceivably realistic ways. For example, the protagonist for this new tale plays a very tiny role in Factotum, just as a teaser.

As for Duchess-in-Waiting of Naimes and Rosey-me-lad, well, Lord willing we shall see where they are at again in the future.

And in answer to you request, Master Come Lately, here be a map showing the rough political boundaries of the Sundergird. Such things are necessarily vague in a land without satellite imaging/modern political wrangling and all such modern/our-world stuff that makes out own maps so punctiliously delineated. I hope you like, and more importantly it helps you-all over there at the Forum.



The tabs, Madam Blackwood, are those Post-It [TM] tabs you buy at your local stationer, and I have used different colours depending which book I writing (yellow-green = Foundling, pink = Lamplighter, sky blue = Factotum, dark blue = navy/newest stories... its getting vague, be good to clarify to myself once more) marking a large number of my notebooks in this way at all the pertinent entries for each story as I find them: I sit on my couch and trawl a notebook for anything I might need to know for that current tale, typically scribbling on the tab what the entry it flags is about.

Ahh, Master Alyosha, as always you make my day(s): Pococo is actually Italian for "freckles" - I use Italian/Spanish for localised colloquialism of Tutin which one can especially encounter in such areas like western Seat, Tuscanin and across to Catalain.

Hello, hello Troubadour! Wonderful to hear about you project - apologies for the lack of a more full depiction of troubardiers. Perhaps Appendix 2 of Factotum gives some idea, just add the sash as shown in Appendix 3 Factotum around the back. And now I am going to be a drag/punctilious pain-in-the-rear and offer that the proper spelling is troubardier - the concept being that they are soldiers (the "~ier" bit) who wear proofing/armour (the "~bard~" bit) that is fully protecting (the "trou~" or "true" bit) *please don't punch me* Will you be showing us you wondrous work when it is done? Can it be seen in its incomplete state at all? If need more keep asking.

An art book, huh, Emily Odenwald? Well, I reckon this will be worth doing once I have a bit more "art" under me belt. MBT is just one story and I hope I have a few more in me to tell on the Half-Continent yet, a body of work from which a selection of "art" (appendices, illustrations, maps etc) would be selected. As for manga/graphic novel - sweet! If I was to do such a thing, to stave off boredom I think I would tell an entirely new story.

And yes, dear dear Portals old blog-friend, until the conquest by the Tutelarchs and then re-conquest by their descendants/heirs the Tutins, the Soutlands were a collection of independent city-states warring and combining as political need moved. The Germanic names shows the influence of crossing cultures, of Gottish people coming over the Pontus Canis to dwell in the Soutlands.

Well, a long blog makes up for a long pause.

I hope you are all well.

Thursday, February 02, 2012

So long since signs of life were present, but yes, it lives again!

I herald my long long long overdue blogging return with an apology for my absence - words have just looked foul and ugly to me for an extended period, but they are indeed gaining their shine again.

I know that there is some RULE for blogging out there that states that it is dead after a set period of silence.

*shrug*

... if I listened to rules I would never had made the Half-Continent in the first place. I see this blog as an on-going conversation, a friendship that must sometimes go silent as life intervenes, yet the relationship is not over, it is simply waiting there for the conversation to begin again when it it possible once more.

So here I am, and I hope (and pray) that entries will be resume with a little more regularity.

Thank you to BB, Alyosha, Differlot, Anna, Camilla, Carlita, Sean, RJA, Ali, Tradgardmastare and all of you for your patience and encouragement and your musings and questions.

For my first actual post I would like to show you all a leaf from notebook 32, drawing especial attention to the entry on the bottom of the right hand pane:




This, dear fellow Sundergirdians, is what a lot looks like (a lot being the Half-Continent's version dice) - a hexagonal 'tube', painted black, marked in white and actually having eight possible outcomes. The longer notation to the right of the drawing says:

"...landing on it ends is possible with a vigorous toss and is either fortunate or ill-favoured depending on the circumstance or culture."

The image shows the "7-end", with the "8-end" being all red but without a number or any other marking. It was such as these that Rossamünd saw being thrown at the Broken Doll.

I reckon it might be a cool little project to get a brace o' these puppies made... *puts on to-do list*

Now to ponder your musings and muse answers of my own...

Tuesday, September 20, 2011

Europa of Naimes

Forsooth, the Branden Rose is a real soul, you can go see her activities get all Tumblr-ed over at Europa of Naimes, where she and other bright-souled Sundergirdians keep the energy of the Half-Continent roiling.

I go there to remind myself that the Half-Continent is not just me in a room on my own in front of a blank screen.

Thank you, Branden Rose, thank you.

Monday, September 12, 2011

Drawing with DMC

A couple of posts ago Elinor Blackwood (Ashira) was asking for me to divulge the process that goes into making my coloured images, so I shall now oblige.

So, I start with the line drawing on paper (yes, a real piece of paper!) done with a sepia pencil for no other reason than I like the feel of the media and the brown looks nice. Some folk have mistakenly thought these charcoal drawings, but they are not, just coloured pencil.


Having scanned the image in at 600 dpi, in Photoshop I then make a layer on MULITIPLY setting, onto which with the PENCIL tool I draw/paint/whatever it is you do in the digital context, areas of flat colour corresponding with the lines of the original drawing.


Usually making a copy of this FLAT COLOUR layer – as I call it (turning off the original flat layer, thus preserving the original should anything go awry) I then mould the copied flat colour layer with the BURN tool, working in shadows and form as appropriate.



Finally over the line drawing and the moulded colour I make a HIGHLIGHTS or SHINE layer (sometimes both if I am really pushing things around) onto which with the BRUSH tool I work all the glimmers and glows and shines that pull the image out and finishes it off.



Not much to it really, just time and the right ordering of layers. I highly recommend some form of drawing tablet for this though, drawing fine details with what amounts to a bar of remote soap (by which I mean a mouse) is not so much fun and does not allow quite the same finish without some extra frustration and effort. (Believe me, I have tried for many years with mouse only, and when I finally got a tablet it was like a whole new world opened up… usual story.)

What I like about this combination is the immediacy of a real drawing yet the glamour and finish of fine digital colour. Oh, and I used the same process for the image of Europe you see as a background to this blog.

I hope that is what you were looking for, Elinor.


All images (c) D.M.Cornish, 2011

Wednesday, September 07, 2011

Notebooks & False-gods OR Ben's Questions asnwered at last!

About a million years ago, Ben Bryddia asked some questions and it is high time I say - HIGH TIME! - that they were answered. I shall reproduce much of his comment enclosing said enquiries here for context.

"Do you have an index for all those notebooks? If so, how is it set up? Yeah, it's a strange question, but I'm curious what form of note organization you've found most helpful..."

Ooh how I wish I indexed my notebooks, bit they are merely a repository for collecting thoughts as they come to me. 36 notebooks in I am starting to find it difficult to find older ideas, though it can be an adventure to go hunting for some half remembered notion I KNOW I wrote back in NB 32 or was it NB 31...? It can also drive me a little nuts trawling through every page when I just want to get on with what I am currently focused on.

I am very much a scatty-headed creative type, and though there is a quite complex system of symbols to show what each note is, there is no indexing; so I have no help for you there, Ben, sorry.

[SPOILERY BIT AHEAD]
"I was rereading the conversation with the Lapinduce in Book 3. Out of curiosity, if land monsters are birthed from threwdish muck, where do all the river and sea critters come from? Is there such a thing as threwdish waters or threwdish ocean muck?I'm assuming that the false gods are to nadderers what urchins are to nickers and bogles. Is this correct? I seem to recall that Kraulschwimmen and false gods aren't on the best of terms."

Kraulschwimmen and false-gods are on very bad terms. Indeed, it is the kraulschwimmen who have been set watch over the mad false-gods - the pseudobaths - to make sure they never rise again as they did in the beforetimes in the folly of their arrogance. The false-gods were once like the urchins but sacrificed their place for the sake of seizing more power and so were thrown down and made idiot, the drool and seethe in the crushing black of the lowest oceans, whilst kraulschwimmen keep watch and wrestle with them when e'er an everyman seeks to call a false-gad back.

With the oceans, the deeper down you go the more threwdish they become, and the water deeps are fairly throbbing with threwd, and as you surmise, their muds are fertile places indeed for spawning new monstrous life. River nickers and other fluvial critters are either sprung from the sludge of waterways bubbling up in strongly threwdish lands, or from the slimy beds of shorelines that runs past threwdish places. Of course this is not the only way monsters come to be...

I hope that suffices.

Thursday, July 14, 2011

(This post needs a title...)

Hello hello, hello! Still here, still kicking about, avoiding the blank page and all that.

A favourite truism of mine (heard as a sample on Ride's "Going Blank Again") goes, "even a stuffed clock tells the right time twice a day." So in that spirit I am blogging again after an extended hiatus.

First, I have an interview for your perusal over at fellow author, Greg Mitchell's page.
A caution for those of a less religious bent that one of the answers gets pretty religious, so bare with me.

Well, I have some questions to answer, I will have a crack at one:

The glorious Justine H. asks: "... How exactly did you come up with the idea for leers? Are leers able to fall in love?And where on the Half-Continent did you come up with such an epicly amazing character as Sebastipole (and his amazingly epic name?!)?!?!"

Well, I think it came first with seeing something that made me think it would be "cool" to put a large box right on someone's face but then have it that instead of impeding their senses it heightened them.

Leers are just people who have soaked their eyes in chemicals to see things not normally possible and are trained in the use of a sthenicon and olphactologue, so as to falling in love, I suppose that is as variable for them as it is for any other soul. I can add, however, that being in relationship with a falseman might be awkward at best or downright frustrating/terrifying as they could always tell if you were speaking the truth or not, so fob-off answers like "Nothing," to the question "What's the matter?" would not work so well.

Sebastipole is actually a misspelling of the Ukrainian city of Sevastopol, made known to me through reading on the Crimean War. I have since figured however that as far as the Half-Continent goes, his name actually comes from the fact that his mother is Baste from Sebastian and his father a Pollard from Pollux (a bit odd to name your child thus, but Sebastipole's upbringing was a cold thing and it is the Half-Continent after all...)

Both Ken and Amanda were asking after the availability of my books in the necessary e-formats, and whether I am all down with it.

Firstly, I believe each publisher in each region (North America, UK, Australia/NZ, each of the European nations etc...) is figuring out how best to provide those formats and what the royalty rates ought to be. So it is happening, but the publishing industry is in a massive bit of flux at the moment as it transforms into the digital.

Am I down with it? Bring it on I say! I am, however, getting rather ticked with "torrent-ing" and otherwise illegal digital thieving of such formats. Sure, I could look at it as free advertising, but consider that if I can't make a living from these tales then I am not going to be able to write any more of them. Grrrr....

And here is a *SMILEY FACE* just to end on a happier note.

(Mr Bryddia, I shall get to questins soon(ish))

Thursday, May 26, 2011

A short tale of the Half-Continent well worthy of your time (IMO)

Hello folks, I have just returned from England's sunny shores and am so jet-lagged my body keeps asking me in a feed back loop, "Should I sleep now? Should I eat now? Should I go out and run about now?..." Taken up in the name of research for the next Half-Continent story (now in its 4th chapter) the trip to the UK has filled my head and soul with so much historical and contextual excellence I scribbled half a notebook's worth of notes and am fit to burst with an expanded sense of the Half-Continent (... once I can tell which end is my head and which is my hind).

I am however compos mentis enough to have found a most excellent short story over at the MBT Forum, penned by a soul who goes by the apt name of Master Come Lately. It is an ingenious passage of prose describing a scene you will recognise (as I did with a steady and wonderful dawning sensation) from MBT/TFT yet seeing it through a novel perspective.
I do not want to spoil it by saying any more than this.

Brilliant.

What is brillianterer still is that the tale has helped me see that much better from this novel perspective!

Well done, Mr Lately - I think I owe you...

Thursday, May 05, 2011

To geek or not to geek...?

Hello all.

A little while back I heard a fellow of prominently public position speak of a film and its director, saying something along the lines that the director was a self-proclaimed "geek", which the fellow took to mean "prone to making immature decisions."

What do you all reckon?

Is there some truth to this?

Tuesday, April 05, 2011

Yet Another Interview...

A small but excellent set of questions answered over at Ouroborusbooks.

Thank you Mitchell Tierney for asking them.

Thursday, March 31, 2011

Shaun Tan you Rock my World!

I just have to acknowledge the stellar and utterly deserved success of a fellow Aussie, a fellow creative and some-time fellow spec fic con panelist, Shaun Tan, who today was announced to have won the Astrid Lindgren Memorial Prize!

WOO-HOO!

And this on the back of an Academy Award [TM] in Animated Short for the Lost Thing.


Wonderful, wonderful...

Well done, sir.

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